Posts Tagged ‘Hip-house’

EVENT: CONGO NATTY…

Thursday, June 17th, 2010

Pic: Adam Shelton

When he released “Street Tuff” with Double Trouble (Michael Menson, Karl ‘Tuff Enuff’ Brown and Leigh Guest) in 1989, it was the first most people had heard of the Rebel MC. Truth is, he’d formed Double Trouble way back in the early 80s and Street Tuff was just the furthest reaching public display of his talent. Although frowned upon as a sell-out by the Hip Hop community, the cut has since been heralded as “the birth of UK Grime” by Dizzee Rascal amongst others. So, what has that got to do with Congo Natty? Well, everything. For those who don’t know (and I hope it’s just a handful), Rebel MC aka Michael West went on to record as Conquering Lion, Blackstar, Tribe Of Issachar, X Project, Ras Project and of course, Congo Natty. What is incredible is that since we saw him bounce on to the TOTP stage armed with fashion dreads, a backing track on DAT and his Double Trouble entourage playing dummy instruments, Micheal West has consistently released quality underground music with more than just money in mind.

Check ‘Black Meaning Good’(1991), a watershed release for the Rebel as his style evolved and his lightweight raps were replaced by conscious flows, Reggae, Techno and the emerging sound of Jungle. Guest appearances came from Barrington Levy, Dennis Brown and Tenor Fly….heavyweight business! Now the UK’s underground were on-side, and comparisons to the Ragga Twins (fellow Tottenham dwellers) and Shut Up & Dance were rife, the ‘Word Sound and Power’ (1992) collection cemented Rebel’s place in the Reggae tinged corner of the UK’s bubbling dance scene. Now a manifesting Rastafarian, West set up the Tribal Bass label in 1992 and it was this which gradually mutated to X-Project and finally into the Congo Natty imprint all old-school Junglists know and love.

So, almost 20 years on, and having recorded under an array of monikers, Congo Natty continues to roll out raw breaks, deadly deep subs and vocal performances from dancehall legends like Tenor Fly and Daddy Freddy to expectant audiences the world over. Now a fully fledged rasta living between the UK and Ethiopia, the conscious content and scathing attacks on our unbalanced sytems are stronger than ever. Even better, to add a fresh twist, the Congo Natty outfit now counts a full live band amongst its ranks. As somebody who recieved early musical tutilage from the Demon Boyz, London Posse, Shut Up and Dance and the Rebel MC (I think ‘Just Keep Rockin’ and ‘Street Tuff’ were among the first singles I ever bought alongside Public Enemy’s ‘Rebel Without a Pause’), I have to give my full respect to him for keeping it moving so strongly over almost two decades.

And the punchline, Heads High are in the zone with Congo Natty this Saturday 19th July. He’ll be accompanied by Connie Bell, Lady MC (Kool FM) and a full live band. Myself and Darren Judge will be rolling out selections spanning reggae, hip-hop and perhaps a few electronic, bass movements. It’s one to make time for….

When Hip Met House…

Thursday, December 31st, 2009

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I’ve been bumping Andres‘ LP for a minute now. One of the reasons I love it so, is the way that the Hip Hop (Dj Dez) and the house (Andres) both have their say in the thirty tracks they have to orate with. Check Anthony ‘Shake’s’ discography too. You’ll find four to the floor 808 pressure pushing up against the sub 100 bpm roll of the breakbeat. Saying this, its rare to see the two styles co-existing in the same sonic space….it wasn’t always this way though…

We’re moving into the second decade of the 21st century. Those of us who like to reminisce (which is most of us I think) should be able to stretch our mind back to a time where a rapper needed to generate a 120bpm flow to pay his bills. A time where record companies dropped serious money ensuring that the love-children of Larry Levan and Russell Simmons could roam unashamedly. On a personal level, I remember locking in to Centerforce FM (88.6), Sunrise and Pulse and listening to the lines between Hip-Hop, House and Hardcore being consistently blurred. U.S. cats like Fast Eddie and Tyree Cooper jacked alongside the U.K sound of the Cookie Crew, Silvah Bullet, Merlin and more. As usual, I’m an honest brother so no frontin’ – I’m far from an expert on this time….but the important thing is, I remember the buzz. This mini-documentary brought it all back for me….enjoy….