Posts Tagged ‘hip hop’

News: Kamaal The Abstract…9 years later

Tuesday, September 15th, 2009

qtipkta

Eight years ago Q-Tip was smacking it. He’d hit the charts twice with the club joints Breath & Stop and Vivrant Thing, both of which having their origins on an album which was far from commercially minded. Ever the visionary, Tip wasn’t stopping there. He went back into the lab and emerged with the Kamaal the Abstract project. An album pre-empting both Common (Electric Circus) and Outkast (The Love below/Speakerboxx) in its exploration of Psych-Rock/Hip Hop/Jazz elements.

Although Kamaal received some good early reviews, L.A. Reid (who had since taken over from Clive Davis – the producer that originally ok’d the project) decided there wasn’t a strong single in the collection and shelved the project. Those who knew picked up the 12″ sampler a few years back but the entire collection has never seen a full release….until now.

Today sees the long awaited release of the project in its entirety…..and about time. I feel what L.A. Reid was saying, its not really a chart oriented vibe…but as a solid and exploratory musical offering from an artist who has kept it moving from then till when? It’s almost criminal it has taken this long to bless the people. Check these clips of Tip telling the story of the album and the motivation behind some of its contents….and when you’ve done, pick it up here….

Q-Tip: Kamaal The Abstract (Out Sept. 15th 2009) from By Any Means T.V. on Vimeo.

Q-Tip – “Barely In Love” from By Any Means T.V. on Vimeo.

Q-Tip – “Do You Dig U?” from By Any Means T.V. on Vimeo.

Q-Tip – “Feelin” from By Any Means T.V. on Vimeo.

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Podcast #14: Duke Etienne 10/09/09

Tuesday, September 15th, 2009

electronics

Yeah I know, this should have been posted last Friday but it’s been hectic times at Heads High HQ. I could have done it yesterday but I promised myself I’d take one whole day off the LCD and actually interact with real people ALL day. It was nice. I’ll do it again someday….

Anyway, here’s the missing selection. One of those ones that I wasn’t too happy with when I recorded it but listened back and was pleasantly surprised…A little rags in places but the rawness is the realness. Enjoy….

Duke Etienne Podcast #14

 

Tracklisting

Dark Knight  // Mutant Funk
Bookworms // African Rhythms
Zomby // One Foot Ahead Of The Other
Silkie // Spark
Red // I Should Tell Your Mama On Ya
Baatin // Marvelous
Jimmy Castor Bunch // It’s Just Begun (Larry Levan Mix)
Holzer & Kamura // Pure Love
Players Association // Let Your Body Go
Don Armandos Second Avenue Rhumba Band // Deputy Of Love
Fallout // The Morning After
Martyn // For Lost Relatives
F // Epilogue (Ramadanman Mix)
Kode 9 & The Space Ape // Do You See What I See
Elemental // Talk

Focus: Amede & The Soundsmith

Monday, September 7th, 2009

Headhigh Portraitb&W

Synchronicity is alive and well in the digital age.

I first heard Amede & The Soundsmith via the ubiquitous Alex Nut and his All Young Kings promotion machine. Amede’s work stands out, somehow managing to herd adjectives like ethereal, celestial and melancholic together in a pen of neck snapping beats, subsonically supported basslines and frequent nods towards the past sonic experiments of Jamaica’s dub laboratories. A few weeks after my AYK gift, I bumped into Amede outside Deviation and broke bread, I liked his vibe. More weeks/tweets later and here I am, glasses on, Cornflakes in bowl and ready to explore the world of Amede & The Soundsmith…

Firstly, we should start on a foundation of truth. ‘Amede’ and his partner ‘The Soundsmith’ are one and the same person, an ‘internal-duo’ as he puts it. The separation coming from a need to individualize the creative entities of the vocalist, Amede, and the beatmaker, The Soundsmith. Both of these personalities are extremely well formed. Even a casual listen to ‘Will She Ever Know?’ will tell you that the man can sing, listen again a little more carefully and you’ll hear it, the man can produce. Once you’ve digested that, you’ve then got to come to terms with the fact that these skills are living in a man with less than 20 years worth of calcium in his bones.

“I am 19. Many see me as an older person. I believe that come from being well guided by my father and his Nigerian background, he has been a prominent factor to keeping my head screwed on….At 10, I started singing. I have no idea where it came from in all honesty, only God knows! I performed my first show in my first year of secondary school and then that was it, music it was! In the summer of 2004, when I was 14, a cousin of mine and I got our hand on Fruity Loops, we was so excited about the prospect of beat making, we thought we were hot then even though they sounded wack. He went off to develop his sound and I did the same, listening to the sounds of Dilla, Slum Village and Dwele. I feel it has been an organic musical journey for me as I didn’t have any musicians in my family. Many artists of today had musical family member or were pushed into learning instruments as a child. Sometimes I wished I learned more instruments as a child, I’m learning now but it just isn’t the same as learning young.”

I feel what he’s saying, but I think he’s being a little hard on himself. From my Jurassic Park perspective, Amede is learning young. How many 19 year olds do you know releasing innovative, introspective, soul-drenched music on their own labels? I know a few who push out the throwaway sound of now from their ReDrums and Subtractors, but music with longevity….a handful. On the subject of releases, Amede & The Soundsmith dropped their debut single ‘The Underground’ early this with their follow-up ‘Flat 17 Ep’ having hit the digital shelves in August. Why ‘Flat 17′ Amede?

“Flat 17 is where I was staying for my first year of university at the time of its creation, it’s the place where the idea came to fruition, where each track was composed. Flat 17 is the birth place of the EP. The project is aimed at letting people know what it is I do, what I am capable of and who I work with. Each track consists of different elements which are part of me. I wanted to show that I don’t just sing, I don’t just compose, I can also produce for others, beatbox, songwrite, create my own artwork…Another motive behind it was to lead a pack. I believe it’s good that a creative circle of artist has somebody who just goes ahead and puts plans in action, it was to inspire my creative partners too. I work with some amazing musicians, Nadine Ceaser who won the 219 Variety Show last year, lyricist & vocalist, T-funk and producer, Azekel. It was partly to show them that whether Flat 17 gets a thumbs up or thumbs down from people, getting it out there can be done by one of us. I believe it has inspired them to also get their music out there too.”

Flat 17 artwork front500

Big respect for that and incidentally, a clear ‘thumbs-up’ for the EP. Now I’ve heard it, I want more! Luckily for all of us, there is more to come. A&TS’s Bohemianmusic Label is currently germinating a ‘beat-trilogy of free downloads’ which will involve external remixers and live renditions of some of their material. There is also more to come from lyricist T-Funk and songstress Shanaz Dorsett. Nice. Maybe not too surprisingly for a self-confessed perfectionist who clearly wants to be in control of his own destiny, Amede, and his partner the Soundsmith also have set their sights on deconstructing the black art of Mastering…and growing beards?!

“The direction I’m heading into is actually more of the technical background of music. I have a love for mixing but mastering is where I really want to take it, I want to wake up early in the morning in my studio mastering and mixing music with my producers beard growing out of control… it’s where the love is at. As an artist, I simply want to be a big part of the evolution of today’s music and to primarily make honest music from the soul, what I may sound like a decade from now is something I’m not sure of but I know I will be knocking sounds out to my grave.”

Word.

Amede likes you people, so much so that he’s given us the ‘Flat 17′ Ep track ‘Vast!’ for free, and asked us to pass it on to you.

Download Vast!

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He also let us in to the very personal space of what inspires him to do what he does right now…

Amede & The Soundsmith’s Top 5 Inspirations:

1. I’ve been listening to a lot of Fela Kuti’s ‘Expensive Shit‘ album, Samiyam’s ‘Moon Shoes‘, Hudson Mohawkes ‘Rising 5‘ and the classic by Tom Scott – ‘Today‘ that track is amazing!

2. Knowing that God has love for me!

3. My Fathers wisdom!

4. I went to watch Soul Power in West London two weeks ago. I found it very inspiring seeing all those great musician vibe with each other. It was pure love recorded in history and I hope I can be watched upon in such a manner one day.

5. My peers! God as allowed me to grow around very inspirational young creatives which I know will leave thier stamp one day and it’s a blessing to be part of that.

So there we have it, young talents with a luminescent future. Amede…..and the Soundsmith.

Links:

Official Website
Myspace
Twitter
Shanaz Dorsett Myspace

Podcast #13: Duke Etienne 20/08/09

Tuesday, August 25th, 2009

African kid drumming

We’re gradually getting back on top of things in here. Decent content, regular podcasts, we’re loving you the right way. Here’s a selection from the Duke to make you feel nice. He lost his voice half-way through but it’s all good, the music speaks for itself…

DOWNLOAD DUKE ETIENNE 20/08/09 PODCAST

 

Tracklisting

Lizzy Mercier Decloux // Hard Boiled
Pearson Sounds // WAD
Sole Fusion // Bass Tone
John Robertson // Blame
Reggie Dokes //Walk In Deepness
New World Aquarium // Tresspassers
Block 16 // Morning Sun (Pepe Bradock Refix)
Lightening Heads // Message Beats
Nanyo Addo // Wo ba wo ba shue
Jimi Tenor & the Kabu Kabu // Fast Legs
Silkie // Purple Love
Elemental // Braindrops
James Blake // Air and Lack Thereof’
Build an Ark Remix (Unknown – Help us out!)
Amede & The Soundsmith // Tip Toe ft. Shanazz Dorsett
Sa Ra Creative Partners // Soul’s Brother

Feature: Calle 13

Thursday, August 20th, 2009

Calle-13B&W(Pic: Leo Pareja)

I have to admit that Reggaeton has always been a guilty pleasure of mine (much to the dismay of certain other members of the Heads High crew LOL). But I’m continually exasperated at the unimaginative production and mindless posturing of most mainstream artists so it’s always refreshing to hear the output of people like Tego Calderon and Calle 13.

Calle 13 are one group from the Latin urban / Reggaeton world that should crossover more, eschewing the traits of most mainstream Latin urban artists, their enlightened take on the genre goes well beyond straight Reggaeton and Hip Hop, taking in elements of Samba, Cumbia, Tango and much more. Led by brothers rapper Residente and production man Visitante ,the combination of inventive music and knowing clever lyrics have contributed to their success worldwide. They have tapped into a kind of Pan-Latin American consciousness, making them accessible to both the discerning music listener and the Mamis and Papis, they even recently experienced a spiritual re-awakening in the high plains of Peru, the focus of a new documentary about them “A La Venta Ya

Calle 13 held nothing back for their startlingly brilliant live show that debuted in London the other night (August 12th) with an eleven-piece band that included a horn section, drummer and two percussionists, a welcome surprise I’m sure for many accustomed to the usual Reggaeton and Hip Hop PAs. A welcome addition to the show is the brother’s sister – PG13 – who punctuates some of the songs with her fantastic vocals and kooky stage presence, as illustrated on this MTV live clip one of their earlier tracks Hormiga Brava which demonstrates their live show whilst retaining the sound quality lost on most YouTube clips.

For some, Calle 13 mash up action courtesy of my main man in Buenos Aires, Argentina check Diamante’s website

or attached here for your convenience

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Download Calle 13 vs MIA

Preview: Shafiq Husayn ‘En’ A Free Ka’

Friday, August 14th, 2009

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Ancient Africa has given us more than we know. sciences, principles, processes and most of all knowledge. Egyptians defined the Ka as the life force of an individual, which although it was an ethereal projection, required food and drink for sustenance. I’m not going to extend myself further and try to decipher the full meaning of Shafiq Husayn’s new offering – i’ll leave that to you. What I can tell you is ‘Shafiq En’ A Free Ka‘ is a heavy journey into the psychadelic, tripped out reaches of a spiritually focussed master of the boom-bap. Composed entirely using outboard equipment and packed with collaborations from the likes Rozzi Daime, Bilal, Fatima, Count Bass D and Om’Mas Keith, Shafiq En’ A Free Ka is an eagerly anticipated project from 1/3 of the Sa Ra Creative Partners.

As a follow on from the SaRa interview I posted a couple of days back, we thought we’d drop this preview mix of some LP tracks lovingly cut and pasted by Brownswood’s DJ Lefo to free up your life forces….

Shafiq En’ A Free Ka Preview Mix

Throwback: SV unearthed…

Thursday, August 13th, 2009

baatin

I promised myself these pages wouldn’t turn into a throwaway youtube and picture pasting board and I stick by my promise…..but when I found this SV footage of an interview they did (minus Dilla) circa 2000 I had to share it….RIP Baatin….

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News: Scratch in Africa…

Tuesday, August 11th, 2009

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The Roots beatbox impresario Scratch dropped his Loss 4 Wordz album a couple of months back. I hadn’t really followed his progress since then but I recently came across this video of his Africa Express experience where he got to work with Salif Keita and Amadou & Mariam amongst others. For those of you who don’t know, Africa Express has been encouraging ‘open and intimate collaboration’ between western artists and their African counterparts for the past three years. Established in the wake of Live 8 to counter the ridiculously one-sided notion that Africa is a mere charity case, the list of artists they have united in artistic collaboration is impressive. Here’s yet another example of goodness from the motherland….

And for those of you who missed the first boat, here’s an interview with Scratch on his Loss 4 Wordz LP.

Respect: Belated Baatin Big Up

Friday, August 7th, 2009

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Those of you that know will know that Titus ‘Baatin’ Glover formerly of Slum Village passed to the next realm on July 31st 2009. Because of all the work to get this site up, I didn’t manage to write a tribute at the time. I was going to leave it and just pay my personal respects but that decision just kept niggling at my conscience.

Baatin, T3, Jay Dee et al literally blew me away when I heard that initial ‘Fantastic‘ ish emanating from magnetic tape. I still reference them now (much to my peoples annoyance) in my quest for finding MCs who understand that the rhyme is all about the rhythm. Clearly Baatin knew this, delivering lazy, yet perfectly timed verses over ridiculous beats with all the rhythmic skill of a master drummer. Known for bringing the spirituality to the Detroit Hip Hop scene, Baatin left SV in 2002 coinciding with his being diagnosed with schizophrenia. As most of you know, this was not the end as he continued to make apperances with the group and actually returned full time to record their upcoming album ‘Villa Manifesto‘ due for release this September.

Although I understand that we all must pass when it’s time, I still moves me greatly to know that a brother who was , and still is such an inspiration to me no longer walks this earth. The reasons for his death remain unknown but there is speculation that he may have suffered complications linked to crack cocaine use. Whatever the reason, he will be sorely missed and fondly remembered by all that he touched. Rest In Peace Baatin.

The folks over at
Basement Sessions put together a sweet mix of classic Slum material and juicy collabs featuring Baatin. Download it here

Lastly, here’s a reminder of why we loved and continue to love SV….