As the flyer says, you know the drill by now. 12 Tone Brass are hot (if you don’t believe me watch the video below), Heads High are heat, add them together and you’ve got extreme snow melting capabilities….we’ll see you there (Vibe sell hot drinks too so no excuses!)…
Don’t know 12 Tone Brass? Allow them to introduce themselves…
I’ve been bumping Andres‘ LP for a minute now. One of the reasons I love it so, is the way that the Hip Hop (Dj Dez) and the house (Andres) both have their say in the thirty tracks they have to orate with. Check Anthony ‘Shake’s’ discography too. You’ll find four to the floor 808 pressure pushing up against the sub 100 bpm roll of the breakbeat. Saying this, its rare to see the two styles co-existing in the same sonic space….it wasn’t always this way though…
We’re moving into the second decade of the 21st century. Those of us who like to reminisce (which is most of us I think) should be able to stretch our mind back to a time where a rapper needed to generate a 120bpm flow to pay his bills. A time where record companies dropped serious money ensuring that the love-children of Larry Levan and Russell Simmons could roam unashamedly. On a personal level, I remember locking in to Centerforce FM (88.6), Sunrise and Pulse and listening to the lines between Hip-Hop, House and Hardcore being consistently blurred. U.S. cats like Fast Eddie and Tyree Cooper jacked alongside the U.K sound of the Cookie Crew, Silvah Bullet, Merlin and more. As usual, I’m an honest brother so no frontin’ – I’m far from an expert on this time….but the important thing is, I remember the buzz. This mini-documentary brought it all back for me….enjoy….
‘Told you we aint dead yet, we been livin’ through your internet. You don’t have to believe everything you think, we’ve been programmed, wake up, we miss you.’
As part of an underground creative network, we take pride in supporting, creating and exporting ‘progressive/forward-thinking/different-from-the-norm’ music. Noble principles. There is a deep value in this….. but when did we decide to dissociate these lofty principles from the rest of our lives?
I’ve been observing the musical blogoshpere for a minute now and it has been a bipolar experience of delight and disappointment. Delight in the amazing creations we are continually blessed with and disappointment that there are virtually zero heads out there (Heads High included) that are willing to talk about much else but the music itself, or its associated media. Breaking bread with industry friends,it seems that any kind of vaguely political or spiritual topics have slim place in certain musical spheres – that people don’t want to be preached to. They’re right. But who are we if as tastemakers and opinion shapers, we’re too afraid to say anything apart from big up or take down the endless stream of product coming through our hands?
Our culture has been structured in a way that allows us to blot out realities in favour of consuming more of the same – in a different package. This particular thought stream was triggered by ‘The Story Of Stuff‘, a 20 minute treatise on the harsh realities of the production process which you’ll have heard of somewhere over the past year or so. Don’t worry, I’m not going to launch into a tirade against the evils of consumerism….I think we all get the picture on that….what does interest me though is the idea that cultures are created, maintained and perpetuated with the goal of neutralizing peoples opinions on things that matter.
I figure 90% of you reading this are music lovers….the word culture is almost holy ground to us. We all take pride in the (sub)cultures we are part of. More than that, we actively direct and extend these cultures. So in truth, we’re in a curious space where we simultaneously control and are controlled by our cultural ‘norms’.
Back to the Story of Stuff. If you’ve seen it, you’ll agree that one of the most unsettling moments is the quote below:
The Real Meaning of Consumer Demand
‘Our enormously productive economy demands that we make consumption our way of life, that we convert the buying and use of goods into rituals, that we seek our spiritual satisfactions,our ego satisfactions, in consumption. The measure of social status, of social acceptance, of prestige, is now to be found in our consumptive patterns. The very meaning and significance of our lives today expressed in consumptive terms…. We need things consumed, burned up, worn out, replaced, and discarded at an ever increasing pace. We need to have people eat, drink, dress, ride, live, with ever more complicated and, therefore, constantly more expensive consumption.’
Sound like a familiar situation to you? A market analyst named Victor Lebow dropped this in his ‘Journal of Retaling’ which was published way back in 1955. An era which saw the rise of youth culture on both sides of the Atlantic. A generation which prided itself on its autonomous rule and individual identity while in actuality feeding the very same model described by Mr Lebow above. Sadly, in this respect at least, I feel we have progressed little in the past half century.
My basic point is, as Erykah says, we need to wake up. Technology has afforded our generation(s) a ridiculously high level of creative output but we seem to be wielding this potentially world altering weapon like children with toy swords. Art is exceptionally important, and we celebrate it accordingly, but we are lost in a maze of the next big thing. The exact maze that Mr Lebow describes in his quote. The longer we remain lost, the longer our voices are ineffectual in the reshaping of a world which, in number at least, we should be in control of. When I flick through the new posts on my RSS feed reader, I can’t help but feel a little bit of shame. Shame at the fact that after an evolution on this planet of circa 300,000 years (the official figure), the majority of us appear to have limited our infinite capacities (including our creative vision) to boundaries set by those whose aim is for us to continue to walk in self-perpetuating circles.
I don’t believe it’s an accident that some of the most enduring icons are those which used their art to speak beyond the surface. Cats like Fela Anikulapo Kuti and Peter Tosh. who composed for human rights, John Lennon, who made noise for peace, and Sun-Ra, who stood out on a limb and opened minds to new realities – if they were ready. We’ve got our share of truth speakers now. Sa Ra, Georgia Ann Muldrow and Dudley Perkins are flying the flag for peaceful spiritual frontiers amongst others. Heads like Mos Def and Immortal Technique are dropping truth on the lies of the men in suits and even Stones Throw’s James Pants has turned his attention to the esoteric with his latest ‘Seven Seals‘ offering. It would have been easier for any one of these artists not to have broached uncomfortable subjects, just as it is easier, and infinitely more socially acceptable, for us to talk air rather than truth. I’m not saying that every song or blog post needs to be chanting down Babylon and discussing the nature of multi-dimensional reality, but I really do believe its time for our media educated generation to consider their purpose and objectives in a world which needs direction now more than ever. We all have truth to tell. I for one would like to look back on what we produced in word, sound and image and know that it actually meant something….
We’re feelin Amede, so much so we went to the trouble of interviewing him not too many moons ago. That was around the time of his Flat 17 Ep release….since then he’s been busy. Busy enough to put together a 24 track album AND start his own blog charged with pointing us in the direction of music we should know about…the brother’s not playing.
He sent us Soundscapes last week and I’ve been bumping select cuts ever since. My favourite so far is Herbs, which he’s let us pass on to you below. Don’t stop there though, if you do you’ll be 23 tracks short of a full album. A significant amount. Click here to make the jump to Amede’s new blog where you can find the missing beats…
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Ok. Mad late on this (mostly due to slackness – I got the email a good 2 weeks ago) but even though there’s only hours to go, i’m confident that the information will benefit the faithful (London-based) blog readers amongst you.
You know by now that i’m a beat-head with more than a slight slant towards the experimental. Ras G has been killing it with his Afrikan Space Program infrasonics and I thought it only right to let you know that he’ll be performing live at the Macbeth tonight with support from Eglo’s Shuanise, Ahu/Dolly, the ubiquitous Alexander Nut and Hoya Hoya’s Illum Sphere… all for a measly £5. Not to be missed.
I’m fairly confident i’m preaching to the converted here but just in case, here’s Mr G in action, altering cosmologcal vibrations so we can all be free….Sun Ra would have been proud…
PB Wolf has been both DJing and producing big beats since the 80’s. Then he brought us Stones Throw Records… And changed the face of what one would call “alternative hip-hop.” Loosly speaking, his west coast collective and their signature sounds have become the benchmark for anyone who doesn’t wanna sit in the 50 Cent category of hip-hop.
To be honest, if you are reading this blog, you should be more than familiar with PB Wolf’s repertoire, so lets get down to the nitty gritty. He will be performing at the Jazz Cafe on the 22nd October. What makes things even more interesting is that the performance will be an exclusive AV set with support from currently undisclosed acts. Check out this taster:
Further info? No need. All I would advise is that you get yourself ready for the jedi mind tricks this guy will throw your way in the so-called form of music.
I hate Twitter. That living your life online ish isn’t for me. Tucking self-promotion between tweets about how good your Cornflakes taste and how you feel about sitting on a bus in traffic jars my spirit….I still use it though. And as much as it pains me to say it, I have to admit its not all bad because it’s thanks to a tweet from the Brownswood BPM that I found out about Bookworms.
His bumpy yet hypnotic re-imagining of Mi Ami’s African Rhythms is currently smacking up the real and virtual worlds and his dense, unreleased dubs have rumbled their way onto the playlist of Ms Mary Ann Hobbs more than once over the past year. With our current wave of hot beat producers, you’d be forgiven for thinking Mr Worms is yet another fresh-faced talent jostling for position in the Bass Music marketplace….not so. He’s been doing this for a minute.
“…since around the year 2000, I was 17 years old…making beats on PlayStation recording to boom-box. The first music I ever let anyone hear was a couple Bjork remixes I uploaded to this old website called bjorkremixweb. This was around 2000. Then I produced and worked with some punk and hard-core bands who met through friends from high school. I also made beats for a couple mc’s from around the way. Around 2003 I got really into making my own beats and instrumentals, mostly because other people were too hard to work with…I guess you could say it was a natural progression.”
Although other artists proved hard to work with, it would seem Bookworms has no problems making friends with different genres. Listen to any one of his original productions or remix efforts and you’ll hear traces of Punk/Rock, Hip Hop, Detroit Techno,Disco, Dubstep and Experimental Electronica all present, all correct and all somehow managing to compliment one another.
I need to know more about the San Francisco scene. There’s some hot music out there and by the looks of Bookworms’ discography, he’s busy remixing a lot of it. Lemonade are a San Fran based band who have been getting some hype this side of the water recently and sure enough, who do we find on their ‘RemixTape’…
“My ex girlfriend used to work at a used-clothing store in SF with the Callan from Lemonade, so we knew each other from around SF and going to shows. They’re cool dudes, we talked about it at a show and they sent me the files to remix ”
Talking to Bookworms it soon transpires that many of his links are a direct result of long nights spent listening to loud music on herbal foundations. Take the Solos label that’s put out his version of African Rhythms as a case in point.
“Solos is on some crazy shit, it’s electronic music. It’s all across the board. I met Roche at a warehouse party Solos was throwing in Berkeley, I wanted to smoke and he was rolling a blunt, so we smoked and then I gave him a CD. A week or so later he asked me if I wanted to put some music out with Solos. The rest is history.”
Probing further, I discover that sadly, not all of Bookworms night-time trips have such a happy ending
“…back in about 2006 I went to Big Sur, California for this weird show where San Francisco bands Tussle, Brookhaven, Lemonade and the Drift were playing. Now Big Sur is way out in the woods and nature so I was a bit out of my element and it was hella dark….to cut a long story short I end up jumping off a motor home into the darkness and spraining my ankle really bad outside the show…not a good way to end the night…”
We feel you on that one…moving on to happier times we’ll focus on the music, or rather how Bookworms would like it to be received.
“I would like people to listen to my music on headphones while riding around a medieval city on Tron light -bikes. I am trying to expose parallels between sounds and samples and styles of music. I hope to share that with others.”
Shared it he has. Sounds to me that he’s read a little too much Sci Fi though. Well I guess with a name like Bookworms you can’t fault the brother for hitting the books…
“I like Simple Takes A Wife by Langston Hughes… anything by Isaac Asimov and [I read] lots of Sci-Fi end of the world stuff when I was younger..Reading helps me come up with names for songs…sometimes.”
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Finest Dearest – Slow Going (Bookworms Rmx) Brookhaven – Something Must Remain Of Us (Bookworms Rmx) Brookhaven – Static In The Valley (Bookworms Rmx) Mi Ami - How Can I (Bookworms Rmx) Mi Ami – African Rhythms (Bookworms Rmx) Lemonade - Sunchips (Bookworms Rmx)
LP’s, EP’s and singles
Bookworm Kills (Demo cassette)
The Hidden Staircase LP (Solos Records)
Mandarine Hits CD (Expel Records)
Folks: Remixes (Self released)
African Rhythms CD (Solos Records)
The trouble with doing a lot of things is that you always manage to leave something undone. The something nags at your head and the nagging messes with the other things that you’re doing. I’m supposed to be transcribing an interview for the site, finishing some tracks for our forthcoming mixtape and chasing up a podcast feature from a dope new producer who we’ll intro shortly…
…what i’m actually doing is writing this post so I can purge my head of the thoughts that it deserves some HH words and that I should have put it up ages ago.
I’m talking about ‘Messengers’. J.Period and K’Naan’s refix project taking work from musical revolutionaries Bob Marley, Bob Dylan and Fela Kuti and re-interpreting it for the Hip Hop generation.
As the press release says:
‘…a unique and powerful remix project, paying tribute to the lasting legacy of these musical giants. Weaving afro-beat, reggae, ska, folk music and rock into this genre-bending musical experience, The Messengers stretches the boundaries of hip hop—and the mixtape genre itself. Remixing the classic work of Fela, Marley and Dylan, The Messengers captures the timelessness of their sounds and the continued urgency of their messages. The result, as fans have come to expect from J.Period, is like no mixtape you’ve ever heard.’
Now i’m not sure the work lives up to all of the hype surrounding the project, but there definitely are some gems in the mix. Each of the three parts has been dropped individually so now we’re waiting only for the full bundle + bonus tracks set to hit on 22nd Sept. I could go on but I thinks it’s best all round if you click the link, make the jump and cop all three for yourself…for free…now you can’t argue with that level of freeness can you?…well you could I guess, but we won’t bother listening…forward!
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