Posts Tagged ‘Heads High’

Event: Back to the Basement…

Tuesday, May 4th, 2010

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So after the obligatory two month hiatus, we’re back in the basement on May 14th. Our last session in March went distinctly tropical at the request of the Samba dancing crew in the house and now the sun has got his hat on, we’re looking to turn up the heat even further. For the first time in Heads High history, the girls out-number the boys this month too. After two solid sets of all things boom and bap, Amaka is in the place again and still mourning the loss of a large chunk of music from a defective hard-drive, Miss Crawford steps up with the weight and crackle of a vinyl only selection. A last minute addition that didn’t make the designer’s deadline is Darren Judge. He’s been smacking it recently with the Clubb Rock podcasts he lays down with partner in crime Mikee Lazy so we’re expecting those Clubb Rock high-energy bass movements cut and pasted with his foundation Hip Hop selection. Naturally, the Duke & Cal provide the rock upon which the party is built….and the vocals? Expect something a little different this time as Connie Bell and Amaka conduct a little live experiment…tell a friend!!!!!

Event: Heads High vs. 12 Tone. New Session…

Tuesday, April 6th, 2010

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Sat 24th April marks the unveiling of a brand new Heads high vs 12 Tone session in the centre of our fair city. Having raised our east-end party the right way, the good people at Soho’s newest venue, Barrio Central have invited us to embark on a fresh leg of our beats, bass and brass tour with them. Erase all memories of the soundsystem at their sister venue Barrio North though. We’re assured that they’ve done the right thing with BC and come correct with the sound. You know we’ll do the same with our performance, and entry is free so it’d give us a warm glow inside to see some familiar faces in the place.

Event: South LDN Afro Movements…

Monday, February 22nd, 2010

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If you didn’t already know, London is currently being shaken by a new-wave afro explosion. Dele Sosimi, Afrospot, The Soothsayers, Eric Soul….the list goes on.

Not afraid to step beyond the borders of Afro-Funk, Yaaba Funk are one of the more interesting shards of the aforementioned afro bomb. If you know Heads High, you should know Yaaba Funk from a heavy NYE basement session we collaborated on in East’ London’s ‘Life‘ venue (word to Kato!). if you don’t yet know Yaaba, you’re in for a treat. Peep the sample stream below, check the video and if you like what you hear, head over to SHOOK to investigate the interview I recently did with them…

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….and the event? Deep South runnings courtesy of Jamie Renton and his Chilli Fried machine…

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Connie Bell: Roots & Culture Style…

Tuesday, February 16th, 2010

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Still waters run deep and Connie Bell is no exception. While most of us know her for keeping things together as Heads High’s host and vocalist in chief, not many know that the end of ‘09 saw more than a few late night studio excursions by our favourite Jamaican songstress.

Her cover has officially been blown now as the first of many products of those sessions hits the streets in the form of the awesome ‘Vampires’ on UK Roots imprint ‘Top-A-Top”. Riding a fresh reimagining of a classic Lee Perry rhythm, Ms Bell gets raw on those who choose to take without giving. With a dangerous dub on the flip to seal the deal, it’s all about supporting music of substance in 2010…

Cop the freshness here….And if you missed her first release for the label, here’s what could have been yours…

Event: Heads High vs 12 Tone

Friday, February 12th, 2010

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I actually missed the first session of 2010 in favour of swimming in warm Caribbean seas. Reports said it was a good one though and now i’m back on the team for Feb, there’s one more reason to make the eastern pilgrimage and round out the weekend in style.

12 Tone Brass Band is growing from strength to strength and keen followers will notice that their already heavy repertoire is steadily expanding with every session. Those who are able are recommended to pass through next Sunday for shiney new beats, brassy heavy treats and turntable heat…

Event: Heads High vs. 12 Tone 2010!

Sunday, January 3rd, 2010

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As the flyer says, you know the drill by now. 12 Tone Brass are hot (if you don’t believe me watch the video below), Heads High are heat, add them together and you’ve got extreme snow melting capabilities….we’ll see you there (Vibe sell hot drinks too so no excuses!)…

Don’t know 12 Tone Brass? Allow them to introduce themselves…

Heads High vs. 12 Tone

Monday, December 14th, 2009

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We’ve had a lot of fun with the 12 Tone collective this year. Now our shared session at Vibe has been broken in, we’re getting comfy and beginning to experiment.

The last session of 2009 takes place this Sunday 20th December. It’ll be a good one, you should come. As usual, myself, Duke Etienne, DJ Judge and Cal Jader will hold down DJ duties with live collaboration from Connie Bell and musicians from the 12 Tone camp.

We’ve got some recordings (audio/video) to post from our previous events but for now, check out this  footage of RA! the United Vibrations single which was launched last Saturday and has been garnering attention from Giles Peterson amongst others.

Insight: The Culture of Creation…

Thursday, December 3rd, 2009

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‘Told you we aint dead yet, we been livin’ through your internet. You don’t have to believe everything you think, we’ve been programmed, wake up, we miss you.’

As part of an underground creative network, we take pride in supporting, creating and exporting ‘progressive/forward-thinking/different-from-the-norm’ music. Noble principles. There is a deep value in this….. but when did we decide to dissociate these lofty principles from the rest of our lives?

I’ve been observing the musical blogoshpere for a minute now and it has been a bipolar experience of delight and disappointment. Delight in the amazing creations we are continually blessed with and disappointment that there are virtually zero heads out there (Heads High included) that are willing to talk about much else but the music itself, or its associated media. Breaking bread with industry friends,it seems that any kind of vaguely political or spiritual topics have slim place in certain musical spheres – that people don’t want to be preached to. They’re right. But who are we if as tastemakers and opinion shapers, we’re too afraid to say anything apart from big up or take down the endless stream of product coming through our hands?

Our culture has been structured in a way that allows us to blot out realities in favour of consuming more of the same – in a different package. This particular thought stream was triggered by ‘The Story Of Stuff‘, a 20 minute treatise on the harsh realities of the production process which you’ll have heard of somewhere over the past year or so. Don’t worry, I’m not going to launch into a tirade against the evils of consumerism….I think we all get the picture on that….what does interest me though is the idea that cultures are created, maintained and perpetuated with the goal of neutralizing peoples opinions on things that matter.

I figure 90% of you reading this are music lovers….the word culture is almost holy ground to us.  We all take pride in the (sub)cultures we are part of. More than that, we actively direct and extend these cultures. So in truth, we’re in a curious space where we simultaneously control and are controlled by our cultural ‘norms’.

Back to the Story of Stuff. If you’ve seen it, you’ll agree that one of the most unsettling moments is the quote below:

The Real Meaning of Consumer Demand

Our enormously productive economy demands that we make consumption our way of life, that we convert the buying and use of goods into rituals, that we seek our spiritual satisfactions,our ego satisfactions, in consumption. The measure of social status, of social acceptance, of prestige, is now to be found in our consumptive patterns. The very meaning and significance of our lives today expressed in consumptive terms…. We need things consumed, burned up, worn out, replaced, and discarded at an ever increasing pace. We need to have people eat, drink, dress, ride, live, with ever more complicated and, therefore, constantly more expensive consumption.’

Sound like a familiar situation to you? A market analyst named Victor Lebow dropped this in his ‘Journal of Retaling’ which was published way back in 1955. An era which saw the rise of youth culture on both sides of the Atlantic. A generation which prided itself on its autonomous rule and individual identity while in actuality feeding the very same model described by Mr Lebow above. Sadly, in this respect at least, I feel we have progressed little in the past half century.

My basic point is, as Erykah says, we need to wake up. Technology has afforded our generation(s) a ridiculously high level of creative output but we seem to be wielding this potentially world altering weapon like children with toy swords.  Art is exceptionally important, and we celebrate it accordingly, but we are lost in a maze of the next big thing. The exact maze that Mr Lebow describes in his quote. The longer we remain lost, the longer our voices are ineffectual in the reshaping of a world which, in number at least, we should be in control of. When I flick through the new posts on my RSS feed reader, I can’t help but feel a little bit of shame. Shame at the fact that after an evolution on this planet of circa 300,000 years (the official figure), the majority of us appear to have limited our infinite capacities (including our creative vision) to boundaries set by those whose aim is for us to continue to walk in self-perpetuating circles.

I don’t believe it’s an accident that some of the most enduring icons are those which used their art to speak beyond the surface. Cats like Fela Anikulapo Kuti and Peter Tosh. who composed for human rights, John Lennon, who made noise for peace, and Sun-Ra, who stood out on a limb and opened minds to new realities – if they were ready. We’ve got our share of truth speakers now. Sa Ra, Georgia Ann Muldrow and Dudley Perkins are flying the flag for peaceful spiritual frontiers amongst others.  Heads like Mos Def and Immortal Technique are dropping truth on the lies of the men in suits and even Stones Throw’s James Pants has turned his attention to the esoteric with his latest ‘Seven Seals‘ offering. It would have been easier for any one of these artists not to have broached uncomfortable subjects, just as it is easier, and infinitely more socially acceptable, for us to talk air rather than truth.  I’m not saying that every song or blog post needs to be chanting down Babylon and discussing the nature of multi-dimensional reality, but I really do believe its time for our media educated generation to consider their purpose and objectives in a world which needs direction now more than ever.  We all have truth to tell. I for one would like to look back on what we produced in word, sound and image and know that it actually meant something….

‘We’ve been programmed, wake up, we miss you…..’

Event: Heads High vs 12 Tone

Monday, November 2nd, 2009

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This is the the last event post for a while I promise, I just gotta get ‘em off my chest so I can concentrate on some more serious pieces…not that our events aren’t serious…you know what I mean….

We started sharing a session with 12 Tone last month. It went very well. We’re doing it again. Last time we held it down alongside United Vibrations. This session will be Heads High vs. the mighty 12 Tone Brass Band.

I’m not sure if you’ve noticed, but the people love a brass band…they just can’t help but get involved. 12 Tone have got the usual covers selection on lock…Hip Hop style naturally, but they come into their own with firing selections from their own fair hands.

Heads High represent in the blue corner with Connie Bell holding the notes…as usual, it’s FREENESS!