Posts Tagged ‘erykah badu’

Listen: Lola Recommends…

Thursday, April 29th, 2010

As the sun creeps out of its shell, spring is in full swing and music once more takes on the responsibility of maintaining the momentum that will transition us from now to summer. On your marks, get set… Go!

1. House of the Rising Sun – Nina Simone

>> Nina Simone at the Village Gate (Colpix, 1962)

>>> Fast-paced, head-nodding, feet-tapping, sweet, jiving, soulful blues. Despite the underpinning morose lyrics of struggle and strife, Nina and the harmonica will infect any listener of this track with vibes of joy. The non-stop tempo is also worth noting as a refreshing take on the forever re-worked folk song. RIP Nina and thank you for once again bringing New Orleans back to life so vigorously, in the rawest yet happiest way possible.

2. Death and the Flower – Keith Jarrett

>> Death and the Flower (Impulse!, 1975)

>>> By now, you should have caught on to the fact that musically, I’m a lover of epics… This example is no different. Keith Jarrett is a maestro. The title track, Death and the flower is an almost 30 minute odyssey daring one to explore the realms of Africa, the Middle East and beyond. The track starts as experimental world music with recognisable yet undefinable percussion, flutes and all sorts of other instruments that pay homage to the ethnic world. When most songs would finish, at around 6 minutes, he finally decides to switch gears and grace us with his ever-loyal piano, sparsely weaving in and out with jazzy adlibs. Later on, Redman’s saxophone and the rest of the 5-piece join in adding yet more layers. Listeners trust me, be patient with this track – I promise, it will touch all of your senses and reward you for your time. Bursting with positive energies.

3. Reckoner – Radiohead

>> In Rainbows (XL Recordings, 2007)

>>> Yes, this album got rinsed but rightly so. I personally believe that this is Radiohead’s best album since OK Computer. Thom Yorke and posse get this track so spot on (along with Jigsaw Falling into Place, Weird Fishes/Arpeggi and Nude). When they opened up the remix competition on their website a few years back, I diligently listened to about 60 versions of Reckoner hoping to find a re-edit that would supersede the original, to no avail. In that sense, I think Cee-Lo nailed it by merely duplicating the song in Gnarls Barkley’s live performance. The negro-gospel breakdown proves that this band is not constrained by their genre, the disharmonies are so beautifully awkward and the strings are just taking the piss on a different level. If you’re a smart person with good taste, you will pay Radiohead a lot more attention than their ‘alternative/indie’ counterparts. In fact, don’t bother with the rest of them at all.

4. Yes We Can – Oliver Koletzki & Roland Clark

>> Yes We Can EP (Hell Yeah Recordings, 2009)

>>> House music: the biggest thief of inspiring rhetoric, has Obama to thank for resurrecting the spoken-word element in electronic music. From the moment he entered into the political domain, his impassioned public speeches have been sampled all over house tracks. This one, although confusingly titled to imply that the words come from one of Obama’s many speeches, is actually written by Roland Clark. Deep house producer Koletzki, tastefully edits Clark’s lyrics to invoke the right emotions in a way that is reminiscent of classic detroit techno. Do not Resist.

5. A Song for Assata – Common

>> Like Water for Chocolate (MCA Records, 2000)

>>> Keeping on the hopeful tip, this track (along with a trillion others) proves why Common is ridiculously underrated. NO-ONE in hip hop tells such vivid stories as Common does. Not only does he tell the moving tale of Assata Shakur, a Black Panther activist, who was unjustly incarcerated, now exiled with political asylum in Cuba; he also enlists Cee-Lo to contribute his trademark rich, velvety vocals and James Poyser (Soulquarians) to display his talents on production. To understand how deep this song goes, Common actually travelled to Cuba to meet Assata Shakur and features an excerpt of her speaking at the end of the track. For the geeks out there, if you listen well, you can hear Macy Gray, D’Angelo and possibly Erykah Badu singing in the background towards the end (uncredited).

6. Waka / Jawaka – Frank Zappa

>> Waka / Jawaka (Reprise Records, 1972)

>>> As far as prog-rock, jazzy fusion is concerned, it doesn’t get any more psychedelic than this. Guitars riffs, horn motifs and synths galore. Every solo is outstanding and along with that, the arrangement is second-to-none allowing for diverse melodies and seemingly impromptu improvisation. Zappa masterfully brings this ensemble piece together like a trippy-happy-puppeteer controlling a tribe of hippies.

7. Superman on Ice – 13 & god

>> 13 & god (Anticon, 2005)

>>> Probably the most miserable song in this playlist but I couldn’t resist. Dreamy, weeping strings with slightly creepy vocals but for hip-hop,* this is interesting. This underground (American/German) collective deliver quite a niche, almost wabi-sabi sound – you’ll either like it or you wont. Lyrically speaking, 13 & god have a high-pitched, sped up Quasimoto-esq style and talk about abstract concepts that explore both existentialism and metaphysical oddities such as “one day the moon might hold a half a million nice size hoods” and “fast restaurants…” Maybe they just smoke too much green.

*I stand corrected, they call this kind of music ‘indietronica’ apparently.

Podcast #17: Duke Etienne

Tuesday, April 6th, 2010

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Easter weekend. Four days off and very few excuses not to record a podcast so here it is. Heavily inspired by the ritual bank holiday dig through the collection, a selection taking in rootikal dubwise, golden age pirate radio anthems, fresh boom-bap and forthcoming 130 BPM sub bass excursions…..enjoy:

 

Download Duke Etienne Podcast #17

The Observers//Organ Satta
Big Youth//Love Jah Jah Children
Horace Andy//Lets Live In Love
Jah Bunny & Ras Elroy meet Dougie Conscious//Dub 2
King Tubby//Antique Dub
ELUCID//Laser Days
SBTRKT//Inamillion
Blackpocket//U’re a Star (Martyn Remix)
Hem ft. Terrible Shock//On a Mission (Shortstuff Remix)
Ragga Twins//18″ Speaker
Pursuit Grooves//Whisper
U.N.I. ft. H.O.P.E & Shawn Jackson//Cali Soul
Ski Beatz ft. Mos Def//24 Hour Karate School
Bullion//Don’t Talk
Madlib//Floating Soul
Dabrye//Magic Says
Chico Mann//Levanta
Pursuit Grooves//Cosy
Portformat ft. Blaktroniks//It’s On (Swede:art Remix)
Erykah Badu//Turn Me Away (Get MUNNY)
Georgia Ann Muldrow//So Far
Ski Beatz ft. Mos Def & Whosane//Taxi

Video: Erykah makes us think…

Tuesday, March 30th, 2010

ERYKAH-BADU-ME-RINGS

I know this is all over the internet right now but the message is just too much for me not to want to add my voice.

Shot in Dealey Plaza, Dallas the official video for Erykah’s lush Window Seat joint was posted at 3.33am last Saturday. The fact that I’ve mentioned 3.33am will shows you where I’m going with this. Ever the esoteric empress, Erykah’s choice to upload at such a numerologically significant timeframe is a big clue to the kind of symbolism you’ll witness when you click ‘play’.

A guerilla style 5.35min sequence follows her striding across the plaza while simultaneously stripping naked and ends with her thoughts on the Orwellian ‘Groupthink’ characteristic after she is shot dead and lays naked on the ground. Some interpret this as a treatise on the risk of being shot -down as a ‘true’ artist, others are drawing direct parallels to the JFK assasination cover-up which occurred in the same location. My personal view is that it’s both of those things and much more besides (you know Ms Badu is far from shallow so limitations to interpretations are dangerous.). Anyway, being that groupthink isn’t cool, check out the piece, ungroup your thoughts and make your own mind up…

(NB.Some of you may find it little challenging to move beyond the beauty of the Badu booty but stick with it….it’s important!)

Event: Jay Electronica

Friday, February 5th, 2010

Just like London buses, when there are no decent gigs for a while, we’ve come to expect that tons of them will come at once and all together. This seems to be the case for the first quarter of 2010 as yet another* super booking arrives via Mean Fiddler and The Outfit Agency who present to us, Jay Electronica at the Jazz Cafe.

Gracing our shores after a long break and much work, this is set to be a roadblock.

This New Orleans born rapper has trailblazed his way into a scene that has been somewhat lacking to say the least. Not only did his first percussionless joint, Eternal Sunshine (The Pledge) bring a fresh perspective to hip-hop’s repetitive production templates (that every rapper seems to have exhausted to the core), Jay’s lyrical style has also been validated by many veterans of the game such as Rakim, NaS and Mos Def. To be honest, we should have known that any rapper affiliated with Miss Badu would be no less than dope.

Jay will be filling the Jazz cafe for two days, with the first (17th Feb 2010) being hosted by Benji B of 1Xtra/Deviaion fame and the second (18th) by 1Xtra and Def Jam UK’s DJ Semtex.

I’m sure that Jay’s performances will take no prisoners, so be ready to feel the force. POW!

Jazz Cafe, 5 Parkway, London, NW1 7PG
Dates: Wednesday 17th and Thursday 18th February 2010
Doors: 7pm
Price: £20adv. Tickets are guaranteed to fly, so jump on it.

Jay Electronica’s Myspace.

Jay Electronica’s Twitter.

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* See previous posting for Robert Glasper’s UK tour dates. On the 13th of Feb, Dam Funk will also be performing at Brixton’s Plan B… Event details here.

Insight: The Culture of Creation…

Thursday, December 3rd, 2009

gagged wallpaper

‘Told you we aint dead yet, we been livin’ through your internet. You don’t have to believe everything you think, we’ve been programmed, wake up, we miss you.’

As part of an underground creative network, we take pride in supporting, creating and exporting ‘progressive/forward-thinking/different-from-the-norm’ music. Noble principles. There is a deep value in this….. but when did we decide to dissociate these lofty principles from the rest of our lives?

I’ve been observing the musical blogoshpere for a minute now and it has been a bipolar experience of delight and disappointment. Delight in the amazing creations we are continually blessed with and disappointment that there are virtually zero heads out there (Heads High included) that are willing to talk about much else but the music itself, or its associated media. Breaking bread with industry friends,it seems that any kind of vaguely political or spiritual topics have slim place in certain musical spheres – that people don’t want to be preached to. They’re right. But who are we if as tastemakers and opinion shapers, we’re too afraid to say anything apart from big up or take down the endless stream of product coming through our hands?

Our culture has been structured in a way that allows us to blot out realities in favour of consuming more of the same – in a different package. This particular thought stream was triggered by ‘The Story Of Stuff‘, a 20 minute treatise on the harsh realities of the production process which you’ll have heard of somewhere over the past year or so. Don’t worry, I’m not going to launch into a tirade against the evils of consumerism….I think we all get the picture on that….what does interest me though is the idea that cultures are created, maintained and perpetuated with the goal of neutralizing peoples opinions on things that matter.

I figure 90% of you reading this are music lovers….the word culture is almost holy ground to us.  We all take pride in the (sub)cultures we are part of. More than that, we actively direct and extend these cultures. So in truth, we’re in a curious space where we simultaneously control and are controlled by our cultural ‘norms’.

Back to the Story of Stuff. If you’ve seen it, you’ll agree that one of the most unsettling moments is the quote below:

The Real Meaning of Consumer Demand

Our enormously productive economy demands that we make consumption our way of life, that we convert the buying and use of goods into rituals, that we seek our spiritual satisfactions,our ego satisfactions, in consumption. The measure of social status, of social acceptance, of prestige, is now to be found in our consumptive patterns. The very meaning and significance of our lives today expressed in consumptive terms…. We need things consumed, burned up, worn out, replaced, and discarded at an ever increasing pace. We need to have people eat, drink, dress, ride, live, with ever more complicated and, therefore, constantly more expensive consumption.’

Sound like a familiar situation to you? A market analyst named Victor Lebow dropped this in his ‘Journal of Retaling’ which was published way back in 1955. An era which saw the rise of youth culture on both sides of the Atlantic. A generation which prided itself on its autonomous rule and individual identity while in actuality feeding the very same model described by Mr Lebow above. Sadly, in this respect at least, I feel we have progressed little in the past half century.

My basic point is, as Erykah says, we need to wake up. Technology has afforded our generation(s) a ridiculously high level of creative output but we seem to be wielding this potentially world altering weapon like children with toy swords.  Art is exceptionally important, and we celebrate it accordingly, but we are lost in a maze of the next big thing. The exact maze that Mr Lebow describes in his quote. The longer we remain lost, the longer our voices are ineffectual in the reshaping of a world which, in number at least, we should be in control of. When I flick through the new posts on my RSS feed reader, I can’t help but feel a little bit of shame. Shame at the fact that after an evolution on this planet of circa 300,000 years (the official figure), the majority of us appear to have limited our infinite capacities (including our creative vision) to boundaries set by those whose aim is for us to continue to walk in self-perpetuating circles.

I don’t believe it’s an accident that some of the most enduring icons are those which used their art to speak beyond the surface. Cats like Fela Anikulapo Kuti and Peter Tosh. who composed for human rights, John Lennon, who made noise for peace, and Sun-Ra, who stood out on a limb and opened minds to new realities – if they were ready. We’ve got our share of truth speakers now. Sa Ra, Georgia Ann Muldrow and Dudley Perkins are flying the flag for peaceful spiritual frontiers amongst others.  Heads like Mos Def and Immortal Technique are dropping truth on the lies of the men in suits and even Stones Throw’s James Pants has turned his attention to the esoteric with his latest ‘Seven Seals‘ offering. It would have been easier for any one of these artists not to have broached uncomfortable subjects, just as it is easier, and infinitely more socially acceptable, for us to talk air rather than truth.  I’m not saying that every song or blog post needs to be chanting down Babylon and discussing the nature of multi-dimensional reality, but I really do believe its time for our media educated generation to consider their purpose and objectives in a world which needs direction now more than ever.  We all have truth to tell. I for one would like to look back on what we produced in word, sound and image and know that it actually meant something….

‘We’ve been programmed, wake up, we miss you…..’

Listen: Lola Recommends…

Tuesday, November 24th, 2009

The limited sunlight has most definitely put me into hibernation mode. So far in this period, music has served me well. I’ll be more specific:

1. Coded Language – DJ Krust & Saul Williams

>> Coded Language (Universal/Island, 1999)

>>> What a throwback… Saul Williams seems pretty pissed off on this track. His call to action makes you wanna go and start a revolution. Hard-hitting and dirty. Soooo London.

2. The Cell – Erykah Badu

>> New Amerykah: Part One – 4th World War (Universal/Motown, 2007)

>>> “Momma hopped up on cocaine… Daddy on space ships with no brain…” Any track with lyrics like that is bound to be massive. The contrasting vocals, kitsch production and sheer urgency of the track make me wonder why she is still compared to the likes of crappy neo-soul artists. This song is living proof that Ms. Badu gets better with age.

3. Galaxy – Eddie Henderson

>> Sunburst (Blue Note, 1975)

>>> Jazz. Jazz. Jazz. 1970s: eat your heart out. Very simple stuff yet the trumpet and flugelhorn solos bring a whole new dimension to what would otherwise be boring repetitive loops.

4. Gamma Play – Jeff Mills

>> Blue Potential – Live With Montpellier Philharmonic Orchestra (UWe, 2005)

>>> The original is an undisputed classic but the godfather of Detroit outdid himself when he reversed the concept of techno during this project. Techno is ALL about machines yet this full-blown orchestra brings out the artistry of the composition. Beautiful and elegant. A benchmark for up-coming producers: This is the way to push EDM forward. I thoroughly recommend the DVD.

5. Livin’ in a New Day – Tribe (8)

>> Rebirth (Planet E/Community Projects, 2009)

>>> Woah. How smooth is this track? The bass licks keep things ever-so funky. This is what I call “music to chill to.”

6. Leprechaun’s Dream – Chick Corea

>> The Leprechaun (Polydor, 1976)

>>> Despite the fairytale theme of this concept record, I used to think that the dreamy intro didn’t do justice to the remaining 12mins of the track. This is no longer the case. The tune is somewhat of a tribute to its era. I have to applaud Corea’s intricate arrangement: the sporadic percussion teamed with tricky piano riffs and mulitple horns. Each sub-section is bursting with its own personality, yet everything is just about held together by the airy theme – fusion at its finest.

7. Land of Make Believe – Chuck Mangione

>> Land of Make Believe (Mercury, 1973)

>>> A perfect remedy for the depressing weather. Uplifting flower-power vibes. No instruments are spared on this track (except for guitars). If the Brady Bunch were musicians, this would be their magnum opus. A kind of ‘cha-cha’ sprinkled with some happy-go-lucky-hippy vocals for good measure. Has the tendancy to get slightly ‘prime-time-ish’ but this is to be expected with music in this genre.