Posts Tagged ‘Electronic’

EVENT: CONGO NATTY…

Thursday, June 17th, 2010

Pic: Adam Shelton

When he released “Street Tuff” with Double Trouble (Michael Menson, Karl ‘Tuff Enuff’ Brown and Leigh Guest) in 1989, it was the first most people had heard of the Rebel MC. Truth is, he’d formed Double Trouble way back in the early 80s and Street Tuff was just the furthest reaching public display of his talent. Although frowned upon as a sell-out by the Hip Hop community, the cut has since been heralded as “the birth of UK Grime” by Dizzee Rascal amongst others. So, what has that got to do with Congo Natty? Well, everything. For those who don’t know (and I hope it’s just a handful), Rebel MC aka Michael West went on to record as Conquering Lion, Blackstar, Tribe Of Issachar, X Project, Ras Project and of course, Congo Natty. What is incredible is that since we saw him bounce on to the TOTP stage armed with fashion dreads, a backing track on DAT and his Double Trouble entourage playing dummy instruments, Micheal West has consistently released quality underground music with more than just money in mind.

Check ‘Black Meaning Good’(1991), a watershed release for the Rebel as his style evolved and his lightweight raps were replaced by conscious flows, Reggae, Techno and the emerging sound of Jungle. Guest appearances came from Barrington Levy, Dennis Brown and Tenor Fly….heavyweight business! Now the UK’s underground were on-side, and comparisons to the Ragga Twins (fellow Tottenham dwellers) and Shut Up & Dance were rife, the ‘Word Sound and Power’ (1992) collection cemented Rebel’s place in the Reggae tinged corner of the UK’s bubbling dance scene. Now a manifesting Rastafarian, West set up the Tribal Bass label in 1992 and it was this which gradually mutated to X-Project and finally into the Congo Natty imprint all old-school Junglists know and love.

So, almost 20 years on, and having recorded under an array of monikers, Congo Natty continues to roll out raw breaks, deadly deep subs and vocal performances from dancehall legends like Tenor Fly and Daddy Freddy to expectant audiences the world over. Now a fully fledged rasta living between the UK and Ethiopia, the conscious content and scathing attacks on our unbalanced sytems are stronger than ever. Even better, to add a fresh twist, the Congo Natty outfit now counts a full live band amongst its ranks. As somebody who recieved early musical tutilage from the Demon Boyz, London Posse, Shut Up and Dance and the Rebel MC (I think ‘Just Keep Rockin’ and ‘Street Tuff’ were among the first singles I ever bought alongside Public Enemy’s ‘Rebel Without a Pause’), I have to give my full respect to him for keeping it moving so strongly over almost two decades.

And the punchline, Heads High are in the zone with Congo Natty this Saturday 19th July. He’ll be accompanied by Connie Bell, Lady MC (Kool FM) and a full live band. Myself and Darren Judge will be rolling out selections spanning reggae, hip-hop and perhaps a few electronic, bass movements. It’s one to make time for….

Event: Heads HIgh vs 12 Tone.

Tuesday, June 15th, 2010

Greetings people! A timely reminder that this Sunday 20th June will see the Vibe Bar play host to another epic meeting of musical minds as Cal Jader and Darren Judge represent Heads High as we create some new sounds in collaboration with the 12 Tone musicians. Our last session saw a departure from the norm as 12 Tone got all electronic marrying synths and effects with their usual sick rhythms and bubbling brass. It worked so well that this time they’re taking it there again….but perhaps with an MPC to boot. Runnings get underway from 6pm, entry is free and Vibe are screening the football too so no excuses. Click here to link us on Facebook and we’ll see you on Sunday….

 

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Podcast #18: Dan, Derrick and the sound of the Motor City…

Thursday, May 13th, 2010

derrickmay-highblog

I first met Dan Bean via a mutual friend with whom he shared the Iality HiFi soundsystem. As you can probably guess from its name, Iality was a predomoinantly Reggae affair, and so I assumed incorrectly that Dan was just another white-boy with a penchant for the sound of Jamaica. When I bumped into him in Fabric’s Room 3, which was being commandeered by the Detroit Beatdown DJs (Norm Talley, Delano Smith and Mike Clark), questions began to form in my mind about his musical affiliations.  Over time, pre-conceptions were replaced with truth. The truth is that Dan’s taste (both musically and otherwise) is impeccable and diverse. Add to that his numerous trips to Detroit to hang out with Techno’s A-List and dig for long deleted vinyl prizes and you can probably see where we’re heading.

While I was round at his for an excellent meal and shameless audio geek-out a few weeks back, his floor to ceiling vinyl collection spanning everything from synthed-out Sunny Ade to Madlib’s DJ Rels broken-beat project prompted me to ask him to do a podcast for Heads High. It just so happens, that Dan is part of the Bleep 43 organisation who take great pride in inviting House/Techno’s finest to our fair city for marathon sets of real music. Derrick May is coming to Bleep very soon and that provides the inspiration for this very special audio excursion. I’ll let Dan explain:

“While preparing for the arrival of Derrick May to play a six hour set for us on the 21st May, I couldn’t help pausing to think about his work. It’s fair to say that he hasn’t exactly been prolific in terms of releases. On the other hand almost everything he’s released has been game changing in some way or other. This is partly to do with the innovative drum programming that Detroit is quite rightly renowned for, especially on the Roland TR-909. You might even say that the sounds from that peculiar little box define techno but that’s only half the story.

Listening to Derrick’s tracks, it seems clear that it’s the power of the melody that somehow connects most deeply. The instruments for this must have seemed like an uninspiring selection of cheap keyboards at the time, the only tools available to broke musicians. However in true ‘dubwise’ fashion they were put to use in ways that their designers probably never anticipated. The result was a sound or feeling that has since become ubiquitous worldwide, sadly almost to the point where it’s become totally devalued.

Rather than compiling a series of Rhythim Is Rhythim tracks in a mix, it seemed like a better idea to review at least some of the history of synthesiser music. It’s by no means a comprehensive review (please don’t write in…) but I’ve tried to pick out a reasonably varied selection including some tracks that might have influenced Derrick and his colleagues. For instance, ‘Shine A Light’ was a favourite of The Electrifyin Mojo, a revolutionary Detroit radio DJ who melded an almost ludicrous range of boundary busting records on his show and must take at least some credit for the Detroit sound.

I’ve also looked back to some early attempts to harness the power of synthesis by pioneers such as Raymond Scott and the unfortunately named Dick Hyman, not to mention sterling efforts from persistent innovators such as Ike Turner and Eddie Harris. Add to that Germany’s own take in the form of Popol Vuh alongside their inheritors Stereolab and with some luck I may have illuminated some less frequented corners of the synthesiser universe. To round the picture out I’ve also included tracks from European masters such as Giorgio Moroder (Beat The Clock) and Jean-Claude Petit and some apparently accidental house music from Roy Ayers, as well as a contribution from Detroit’s prodigal son (and devout synthophile) Omar S.”

Bleep43 with Derrick May is taking place on Friday 21st May at the wonderful Corsica Studios in Elephant and Castle. It’s £15 on the door (£9 NUS) or £12 in advance. Derrick will be playing for six hours from 1am. Hope you can join us. More info here.

Download Dan’s Synthetic Mix

 

Tracklisting

John Carpenter//Main Theme from Escape From New York
Jean-Claude Petit//Stones Of Law
Omar S//Hot Ones Echo Through The Ghetto
Rhythim Is Rhythim//Beyond The Dance
Sparks//Beat The Clock (Alternative Mix)
Jimmy Ross//Fall Into A Trance
The Graingers//Shine A Light
Roy Ayers//Chicago
Cloud One//Atmosphere Strut
Cat Stevens//Was Dog A Doughnut
Fern Kinney//Groove Me
Ike Turner//Thinking Black
Dick Hyman//Give It Up Turn It Loose
Raymond Scott//The Happy Whistler
Stereolab//Refractions In The Plastic Pulse
Popol Vuh//Aguirre I
Yusef Lateef//Technological Homosapiens
Eddie Harris//Carnival

Event: Heads High vs. 12 Tone 2010!

Sunday, January 3rd, 2010

hh_12tone_17thjanblog

As the flyer says, you know the drill by now. 12 Tone Brass are hot (if you don’t believe me watch the video below), Heads High are heat, add them together and you’ve got extreme snow melting capabilities….we’ll see you there (Vibe sell hot drinks too so no excuses!)…

Don’t know 12 Tone Brass? Allow them to introduce themselves…

News: Soundscapes…

Monday, November 9th, 2009

SoundScapesnu

We’re feelin Amede, so much so we went to the trouble of interviewing him not too many moons ago. That was around the time of his Flat 17 Ep release….since then he’s been busy. Busy enough to put together a 24 track album AND start his own blog charged with pointing us in the direction of music we should know about…the brother’s not playing.

He sent us Soundscapes last week and I’ve been bumping select cuts ever since. My favourite so far is Herbs, which he’s let us pass on to you below. Don’t stop there though, if you do you’ll be 23 tracks short of a full album. A significant amount. Click here to make the jump to Amede’s new blog where you can find the missing beats…

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Download Herbs

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Focus: Bookworms…

Tuesday, September 22nd, 2009

bookwormsportrait

I hate Twitter. That living your life online ish isn’t for me. Tucking self-promotion between tweets about how good your Cornflakes taste and how you feel about sitting on a bus in traffic jars my spirit….I still use it though. And as much as it pains me to say it, I have to admit its not all bad because it’s thanks to a tweet from the Brownswood BPM that I found out about Bookworms.

His bumpy yet hypnotic re-imagining of Mi Ami’s African Rhythms is currently smacking up the real and virtual worlds and his dense, unreleased dubs have rumbled their way onto the playlist of Ms Mary Ann Hobbs more than once over the past year. With our current wave of hot beat producers, you’d be forgiven for thinking Mr Worms is yet another fresh-faced talent jostling for position in the Bass Music marketplace….not so. He’s been doing this for a minute.

“…since around the year 2000, I was 17 years old…making beats on PlayStation recording to boom-box. The first music I ever let anyone hear was a couple Bjork remixes I uploaded to this old website called bjorkremixweb. This was around 2000. Then I produced and worked with some punk and hard-core bands who met through friends from high school. I also made beats for a couple mc’s from around the way. Around 2003 I got really into making my own beats and instrumentals, mostly because other people were too hard to work with…I guess you could say it was a natural progression.”

Although other artists proved hard to work with, it would seem Bookworms has no problems making friends with different genres. Listen to any one of his original productions or remix efforts and you’ll hear traces of Punk/Rock, Hip Hop, Detroit Techno,Disco, Dubstep and Experimental Electronica all present, all correct and all somehow managing to compliment one another.

“My dad was really into stuff like Talking Heads,Brian Eno, Elvis Costello and Jazz. The first music I started buying was random Punk CDs, because I would hear those bands in skate videos. When I started high-school I got into Wu-tang and Drum and Bass…Lately I have been into Detroit Techno, Gucci Mane, Arthur Russell and Kate Bush. I have also been feeling a lot of San Francisco based bands like Tussle, Mi Ami, Roche, Steve Summers, Yao, Lemonade and CB Radio.”

bookwormshomenaway

I need to know more about the San Francisco scene. There’s some hot music out there and by the looks of Bookworms’ discography, he’s busy remixing a lot of it. Lemonade are a San Fran based band who have been getting some hype this side of the water recently and sure enough, who do we find on their ‘RemixTape’…

“My ex girlfriend used to work at a used-clothing store in SF with the Callan from Lemonade, so we knew each other from around SF and going to shows. They’re cool dudes, we talked about it at a show and they sent me the files to remix ”

Talking to Bookworms it soon transpires that many of his links are a direct result of long nights spent listening to loud music on herbal foundations. Take the Solos label that’s put out his version of African Rhythms as a case in point.

“Solos is on some crazy shit, it’s electronic music. It’s all across the board. I met Roche at a warehouse party Solos was throwing in Berkeley, I wanted to smoke and he was rolling a blunt, so we smoked and then I gave him a CD. A week or so later he asked me if I wanted to put some music out with Solos. The rest is history.”

Probing further, I discover that sadly, not all of Bookworms night-time trips have such a happy ending

“…back in about 2006 I went to Big Sur, California for this weird show where San Francisco bands Tussle, Brookhaven, Lemonade and the Drift were playing. Now Big Sur is way out in the woods and nature so I was a bit out of my element and it was hella dark….to cut a long story short I end up jumping off a motor home into the darkness and spraining my ankle really bad outside the show…not a good way to end the night…”

We feel you on that one…moving on to happier times we’ll focus on the music, or rather how Bookworms would like it to be received.

“I would like people to listen to my music on headphones while riding around a medieval city on Tron light -bikes. I am trying to expose parallels between sounds and samples and styles of music. I hope to share that with others.”

Shared it he has. Sounds to me that he’s read a little too much Sci Fi though. Well I guess with a name like Bookworms you can’t fault the brother for hitting the books…

“I like Simple Takes A Wife by Langston Hughes… anything by Isaac Asimov and [I read] lots of Sci-Fi end of the world stuff when I was younger..Reading helps me come up with names for songs…sometimes.”

DOWNLOAD BOOKWORMS’ HEADS HIGH PODCAST

 

DOWNLOAD AFRICAN RHYTHMS

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DOWNLOAD LEMONADE’S REMIXTAPE

Bookworms Live @ Lipo 07/06/09 from Solos Records on Vimeo.

Bookworms’ Discography

Remixes:

Finest Dearest – Slow Going (Bookworms Rmx)
Brookhaven – Something Must Remain Of Us (Bookworms Rmx)
Brookhaven – Static In The Valley (Bookworms Rmx)
Mi Ami - How Can I (Bookworms Rmx)
Mi Ami – African Rhythms (Bookworms Rmx)
Lemonade - Sunchips (Bookworms Rmx)

LP’s, EP’s and singles

Bookworm Kills (Demo cassette)
The Hidden Staircase LP (Solos Records)
Mandarine Hits CD (Expel Records)
Folks: Remixes (Self released)
African Rhythms CD (Solos Records)

Links

Bookworms Myspace

Bookworms Blog

Solos Records

Big respect to Bookworms for his time, energy and exclusive Podcast!

News: 2562 goes long…again

Wednesday, August 26th, 2009

2562

Chinua Achebe was right. Things Fall Apart….or at the very least, divide and evolve. Take Dubstep. Once used to denote a specific crossbreed of steroid-pumped dub and skunked out two-step, the term now shelters a clutch of vaguely related forms ranging from the technoid to the unashamedly dubwise . When I first heard the sounds of 2562 aka Dave Huismans and his alter ego A Made Up Sound, I was excited. he’d managed to carve out his own niche, and by the time his debut Aerial LP dropped he’d built up a long list of accolades and received perhaps the greatest compliment – imitators.

One and a half years later and it’s that time again. November 2nd will see the release of his second collection Unbalance. With more than a hint of the detroit disposition of his A Made Up Sound alias, Unbalance promises to be everything you’d expect and quite possibly, a little bit more. We’ll leave the last word to Tectonic head honcho Pinch

‘I’ve worked closely with 2562 over the last few years and I can honestly say that Unbalance is an incredible album – it’s one of the most exciting releases that Tectonic has seen to date – it vastly exceeds the already high standard he set himself with Aerial’

Nice….

click here to get a taster of ‘Love in Outer Space’ and click here to download a mix he put together for the Boom Noise & Pokes Show earlier this summer.

UnbalanceTracklist:

1. Intro
2. Flashback
3. Lost
4. Like A Dream
5. Dinosaur
6. Unbalance
7. Superflight
8. Yes / No
9. Who Are You Fooling?
10. Narita
11. Love In Outer Space
[12. Escape Velocity – digital only]

Podcast #12: Duke Etienne 16/07/09

Wednesday, August 5th, 2009

169

Direct from the Sirian Mothership Duke Etienne delivers another session of selective vibration for you aural delectation….word is reborn…

Heads-High-Radio-16.07.09-Duke-Etienne

 

Tracklisting

Poem – Bobby Konders ft. Mutabaruka
Arigato – Bodycode
Fall – Blue Daisy
J&W Beat – Floating Points
Dancing On Holiday – Souled
Galaxy – Visions of Tomorrow
Adventures In Success (Dub Copy) – Will Powers
Revelations – Mos Def
Get Dollars – The Beat Konducta
Nirvana – Shafiq Husayn
The Underground Reprise – Amede the Soundsmith
Sole Sweat (Reso Remix) – Debruit
551 Blues – ????????
Sweat – Untold
Emora – The Clonious
Sagittarius Black – Timothy McNealty
Musical Revolution – Carlton Coffie & the Natural Elements
I’m a Levi – Ijahman Levi
Fort Augustus – Junior Delgado
Roots Upon Yuh Corner – Yami Bolo
Oil Ting (Version) – Coco T
Ride Pon De Riddim – Mikey Murka
You Too Good – General Trees
Jah Station – Johnny Lover
Private Life – Grace Jones
Queen Dub – Ticklah ft Rob Simeon
Marcus Garvey – Hypnotic Brass Ensemble
When The Sun Breaks Through – Karl Hector & The Malcouns
Addis Black Widow – Mulatu & The Heliocentrics
Jazz Note – Dj Krust
I Wanna Be There (Waxdoctor Remix) – Model 500
Solar Feelings (J Majik Remix) – Jacobs Optical Stairway
Consciosness – Photek