I first met Dan Bean via a mutual friend with whom he shared the Iality HiFi soundsystem. As you can probably guess from its name, Iality was a predomoinantly Reggae affair, and so I assumed incorrectly that Dan was just another white-boy with a penchant for the sound of Jamaica. When I bumped into him in Fabric’s Room 3, which was being commandeered by the Detroit Beatdown DJs (Norm Talley, Delano Smith and Mike Clark), questions began to form in my mind about his musical affiliations. Over time, pre-conceptions were replaced with truth. The truth is that Dan’s taste (both musically and otherwise) is impeccable and diverse. Add to that his numerous trips to Detroit to hang out with Techno’s A-List and dig for long deleted vinyl prizes and you can probably see where we’re heading.
While I was round at his for an excellent meal and shameless audio geek-out a few weeks back, his floor to ceiling vinyl collection spanning everything from synthed-out Sunny Ade to Madlib’s DJ Rels broken-beat project prompted me to ask him to do a podcast for Heads High. It just so happens, that Dan is part of the Bleep 43 organisation who take great pride in inviting House/Techno’s finest to our fair city for marathon sets of real music. Derrick May is coming to Bleep very soon and that provides the inspiration for this very special audio excursion. I’ll let Dan explain:
“While preparing for the arrival of Derrick May to play a six hour set for us on the 21st May, I couldn’t help pausing to think about his work. It’s fair to say that he hasn’t exactly been prolific in terms of releases. On the other hand almost everything he’s released has been game changing in some way or other. This is partly to do with the innovative drum programming that Detroit is quite rightly renowned for, especially on the Roland TR-909. You might even say that the sounds from that peculiar little box define techno but that’s only half the story.
Listening to Derrick’s tracks, it seems clear that it’s the power of the melody that somehow connects most deeply. The instruments for this must have seemed like an uninspiring selection of cheap keyboards at the time, the only tools available to broke musicians. However in true ‘dubwise’ fashion they were put to use in ways that their designers probably never anticipated. The result was a sound or feeling that has since become ubiquitous worldwide, sadly almost to the point where it’s become totally devalued.
Rather than compiling a series of Rhythim Is Rhythim tracks in a mix, it seemed like a better idea to review at least some of the history of synthesiser music. It’s by no means a comprehensive review (please don’t write in…) but I’ve tried to pick out a reasonably varied selection including some tracks that might have influenced Derrick and his colleagues. For instance, ‘Shine A Light’ was a favourite of The Electrifyin Mojo, a revolutionary Detroit radio DJ who melded an almost ludicrous range of boundary busting records on his show and must take at least some credit for the Detroit sound.
I’ve also looked back to some early attempts to harness the power of synthesis by pioneers such as Raymond Scott and the unfortunately named Dick Hyman, not to mention sterling efforts from persistent innovators such as Ike Turner and Eddie Harris. Add to that Germany’s own take in the form of Popol Vuh alongside their inheritors Stereolab and with some luck I may have illuminated some less frequented corners of the synthesiser universe. To round the picture out I’ve also included tracks from European masters such as Giorgio Moroder (Beat The Clock) and Jean-Claude Petit and some apparently accidental house music from Roy Ayers, as well as a contribution from Detroit’s prodigal son (and devout synthophile) Omar S.”
Bleep43 with Derrick May is taking place on Friday 21st May at the wonderful Corsica Studios in Elephant and Castle. It’s £15 on the door (£9 NUS) or £12 in advance. Derrick will be playing for six hours from 1am. Hope you can join us. More info here.
Tracklisting
John Carpenter//Main Theme from Escape From New York
Jean-Claude Petit//Stones Of Law
Omar S//Hot Ones Echo Through The Ghetto
Rhythim Is Rhythim//Beyond The Dance
Sparks//Beat The Clock (Alternative Mix)
Jimmy Ross//Fall Into A Trance
The Graingers//Shine A Light
Roy Ayers//Chicago
Cloud One//Atmosphere Strut
Cat Stevens//Was Dog A Doughnut
Fern Kinney//Groove Me
Ike Turner//Thinking Black
Dick Hyman//Give It Up Turn It Loose
Raymond Scott//The Happy Whistler
Stereolab//Refractions In The Plastic Pulse
Popol Vuh//Aguirre I
Yusef Lateef//Technological Homosapiens
Eddie Harris//Carnival
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