Posts Tagged ‘Boom Bap’

Focus: Amede & The Soundsmith

Monday, September 7th, 2009

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Synchronicity is alive and well in the digital age.

I first heard Amede & The Soundsmith via the ubiquitous Alex Nut and his All Young Kings promotion machine. Amede’s work stands out, somehow managing to herd adjectives like ethereal, celestial and melancholic together in a pen of neck snapping beats, subsonically supported basslines and frequent nods towards the past sonic experiments of Jamaica’s dub laboratories. A few weeks after my AYK gift, I bumped into Amede outside Deviation and broke bread, I liked his vibe. More weeks/tweets later and here I am, glasses on, Cornflakes in bowl and ready to explore the world of Amede & The Soundsmith…

Firstly, we should start on a foundation of truth. ‘Amede’ and his partner ‘The Soundsmith’ are one and the same person, an ‘internal-duo’ as he puts it. The separation coming from a need to individualize the creative entities of the vocalist, Amede, and the beatmaker, The Soundsmith. Both of these personalities are extremely well formed. Even a casual listen to ‘Will She Ever Know?’ will tell you that the man can sing, listen again a little more carefully and you’ll hear it, the man can produce. Once you’ve digested that, you’ve then got to come to terms with the fact that these skills are living in a man with less than 20 years worth of calcium in his bones.

“I am 19. Many see me as an older person. I believe that come from being well guided by my father and his Nigerian background, he has been a prominent factor to keeping my head screwed on….At 10, I started singing. I have no idea where it came from in all honesty, only God knows! I performed my first show in my first year of secondary school and then that was it, music it was! In the summer of 2004, when I was 14, a cousin of mine and I got our hand on Fruity Loops, we was so excited about the prospect of beat making, we thought we were hot then even though they sounded wack. He went off to develop his sound and I did the same, listening to the sounds of Dilla, Slum Village and Dwele. I feel it has been an organic musical journey for me as I didn’t have any musicians in my family. Many artists of today had musical family member or were pushed into learning instruments as a child. Sometimes I wished I learned more instruments as a child, I’m learning now but it just isn’t the same as learning young.”

I feel what he’s saying, but I think he’s being a little hard on himself. From my Jurassic Park perspective, Amede is learning young. How many 19 year olds do you know releasing innovative, introspective, soul-drenched music on their own labels? I know a few who push out the throwaway sound of now from their ReDrums and Subtractors, but music with longevity….a handful. On the subject of releases, Amede & The Soundsmith dropped their debut single ‘The Underground’ early this with their follow-up ‘Flat 17 Ep’ having hit the digital shelves in August. Why ‘Flat 17′ Amede?

“Flat 17 is where I was staying for my first year of university at the time of its creation, it’s the place where the idea came to fruition, where each track was composed. Flat 17 is the birth place of the EP. The project is aimed at letting people know what it is I do, what I am capable of and who I work with. Each track consists of different elements which are part of me. I wanted to show that I don’t just sing, I don’t just compose, I can also produce for others, beatbox, songwrite, create my own artwork…Another motive behind it was to lead a pack. I believe it’s good that a creative circle of artist has somebody who just goes ahead and puts plans in action, it was to inspire my creative partners too. I work with some amazing musicians, Nadine Ceaser who won the 219 Variety Show last year, lyricist & vocalist, T-funk and producer, Azekel. It was partly to show them that whether Flat 17 gets a thumbs up or thumbs down from people, getting it out there can be done by one of us. I believe it has inspired them to also get their music out there too.”

Flat 17 artwork front500

Big respect for that and incidentally, a clear ‘thumbs-up’ for the EP. Now I’ve heard it, I want more! Luckily for all of us, there is more to come. A&TS’s Bohemianmusic Label is currently germinating a ‘beat-trilogy of free downloads’ which will involve external remixers and live renditions of some of their material. There is also more to come from lyricist T-Funk and songstress Shanaz Dorsett. Nice. Maybe not too surprisingly for a self-confessed perfectionist who clearly wants to be in control of his own destiny, Amede, and his partner the Soundsmith also have set their sights on deconstructing the black art of Mastering…and growing beards?!

“The direction I’m heading into is actually more of the technical background of music. I have a love for mixing but mastering is where I really want to take it, I want to wake up early in the morning in my studio mastering and mixing music with my producers beard growing out of control… it’s where the love is at. As an artist, I simply want to be a big part of the evolution of today’s music and to primarily make honest music from the soul, what I may sound like a decade from now is something I’m not sure of but I know I will be knocking sounds out to my grave.”

Word.

Amede likes you people, so much so that he’s given us the ‘Flat 17′ Ep track ‘Vast!’ for free, and asked us to pass it on to you.

Download Vast!

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He also let us in to the very personal space of what inspires him to do what he does right now…

Amede & The Soundsmith’s Top 5 Inspirations:

1. I’ve been listening to a lot of Fela Kuti’s ‘Expensive Shit‘ album, Samiyam’s ‘Moon Shoes‘, Hudson Mohawkes ‘Rising 5‘ and the classic by Tom Scott – ‘Today‘ that track is amazing!

2. Knowing that God has love for me!

3. My Fathers wisdom!

4. I went to watch Soul Power in West London two weeks ago. I found it very inspiring seeing all those great musician vibe with each other. It was pure love recorded in history and I hope I can be watched upon in such a manner one day.

5. My peers! God as allowed me to grow around very inspirational young creatives which I know will leave thier stamp one day and it’s a blessing to be part of that.

So there we have it, young talents with a luminescent future. Amede…..and the Soundsmith.

Links:

Official Website
Myspace
Twitter
Shanaz Dorsett Myspace

Preview: Shafiq Husayn ‘En’ A Free Ka’

Friday, August 14th, 2009

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Ancient Africa has given us more than we know. sciences, principles, processes and most of all knowledge. Egyptians defined the Ka as the life force of an individual, which although it was an ethereal projection, required food and drink for sustenance. I’m not going to extend myself further and try to decipher the full meaning of Shafiq Husayn’s new offering – i’ll leave that to you. What I can tell you is ‘Shafiq En’ A Free Ka‘ is a heavy journey into the psychadelic, tripped out reaches of a spiritually focussed master of the boom-bap. Composed entirely using outboard equipment and packed with collaborations from the likes Rozzi Daime, Bilal, Fatima, Count Bass D and Om’Mas Keith, Shafiq En’ A Free Ka is an eagerly anticipated project from 1/3 of the Sa Ra Creative Partners.

As a follow on from the SaRa interview I posted a couple of days back, we thought we’d drop this preview mix of some LP tracks lovingly cut and pasted by Brownswood’s DJ Lefo to free up your life forces….

Shafiq En’ A Free Ka Preview Mix

Video: Sa Ra VAMPD Interview

Thursday, August 13th, 2009

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Sa-Ra Creative Partners are a huge inspiration to me . There was a time a few years back when I felt Hip Hop and its associated genres had stagnated. I was hitting the shops with money in my pocket (ah those were the days…) and coming out with bags full of everything but that Boom-Bap flavour. When I heards Sa Ra’s earlier work, I was blown away. Without wanting to sound too deep, I felt their sound embodied and somehow reconciled opposing forces. They were raw, ragged, experimental and mainstream all at the same time…I liked that. In fact, for me anyway, they provided a road into that LA beat music we’ve all grown so fond of.

Their most recent full length offering Nuclear Evolution, The Age of Love is still heating up my hard drive on a regular basis and what i’ve heard Shafiq Husayn’s forthcoming solo project has got me excited also.

Anyway enough chat. Check out one of my previous posts for some free SRCP goodness and peep this interview they did for VAMPD magazine…

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Video: Karriem Riggins Virtuoso Experience – “Tergiversation”

Friday, July 31st, 2009

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Ok, I know it’s not that long ago that I mentioned Karreim but I found this video of his ensemble performing ‘Tergiversation” over at OkayPlayer and couldn’t help myself. Heads High is all about artists who represent the merging of styles and the ease with which Mr Riggins moves between that Hip Hop Boom Bap and subtle Jazz accents is enviable to say the least…enjoy…

Update: The player doesn’t do what it’s supposed to and i’m far from an HTML pro so click the V-Tech underneath the player’s ghost to take you where you need to go…that corporate thing feels dirty doesn’t it……

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