Posts Tagged ‘Alex Nut’

Event: Oh RAS!!!!

Thursday, October 29th, 2009

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Ok. Mad late on this (mostly due to slackness – I got the email a good 2 weeks ago) but even though there’s only hours to go, i’m confident that the information will benefit the faithful (London-based) blog readers amongst you.

You know by now that i’m a beat-head with more than a slight slant towards the experimental. Ras G has been killing it with his Afrikan Space Program infrasonics and I thought it only right to let you know that he’ll be performing live at the Macbeth tonight with support from Eglo’s Shuanise, Ahu/Dolly, the ubiquitous Alexander Nut and Hoya Hoya’s Illum Sphere… all for a measly £5. Not to be missed.

I’m fairly confident i’m preaching to the converted here but just in case, here’s Mr G in action, altering cosmologcal vibrations so we can all be free….Sun Ra would have been proud…

ONENESSPT2PROMO

Focus: Amede & The Soundsmith

Monday, September 7th, 2009

Headhigh Portraitb&W

Synchronicity is alive and well in the digital age.

I first heard Amede & The Soundsmith via the ubiquitous Alex Nut and his All Young Kings promotion machine. Amede’s work stands out, somehow managing to herd adjectives like ethereal, celestial and melancholic together in a pen of neck snapping beats, subsonically supported basslines and frequent nods towards the past sonic experiments of Jamaica’s dub laboratories. A few weeks after my AYK gift, I bumped into Amede outside Deviation and broke bread, I liked his vibe. More weeks/tweets later and here I am, glasses on, Cornflakes in bowl and ready to explore the world of Amede & The Soundsmith…

Firstly, we should start on a foundation of truth. ‘Amede’ and his partner ‘The Soundsmith’ are one and the same person, an ‘internal-duo’ as he puts it. The separation coming from a need to individualize the creative entities of the vocalist, Amede, and the beatmaker, The Soundsmith. Both of these personalities are extremely well formed. Even a casual listen to ‘Will She Ever Know?’ will tell you that the man can sing, listen again a little more carefully and you’ll hear it, the man can produce. Once you’ve digested that, you’ve then got to come to terms with the fact that these skills are living in a man with less than 20 years worth of calcium in his bones.

“I am 19. Many see me as an older person. I believe that come from being well guided by my father and his Nigerian background, he has been a prominent factor to keeping my head screwed on….At 10, I started singing. I have no idea where it came from in all honesty, only God knows! I performed my first show in my first year of secondary school and then that was it, music it was! In the summer of 2004, when I was 14, a cousin of mine and I got our hand on Fruity Loops, we was so excited about the prospect of beat making, we thought we were hot then even though they sounded wack. He went off to develop his sound and I did the same, listening to the sounds of Dilla, Slum Village and Dwele. I feel it has been an organic musical journey for me as I didn’t have any musicians in my family. Many artists of today had musical family member or were pushed into learning instruments as a child. Sometimes I wished I learned more instruments as a child, I’m learning now but it just isn’t the same as learning young.”

I feel what he’s saying, but I think he’s being a little hard on himself. From my Jurassic Park perspective, Amede is learning young. How many 19 year olds do you know releasing innovative, introspective, soul-drenched music on their own labels? I know a few who push out the throwaway sound of now from their ReDrums and Subtractors, but music with longevity….a handful. On the subject of releases, Amede & The Soundsmith dropped their debut single ‘The Underground’ early this with their follow-up ‘Flat 17 Ep’ having hit the digital shelves in August. Why ‘Flat 17′ Amede?

“Flat 17 is where I was staying for my first year of university at the time of its creation, it’s the place where the idea came to fruition, where each track was composed. Flat 17 is the birth place of the EP. The project is aimed at letting people know what it is I do, what I am capable of and who I work with. Each track consists of different elements which are part of me. I wanted to show that I don’t just sing, I don’t just compose, I can also produce for others, beatbox, songwrite, create my own artwork…Another motive behind it was to lead a pack. I believe it’s good that a creative circle of artist has somebody who just goes ahead and puts plans in action, it was to inspire my creative partners too. I work with some amazing musicians, Nadine Ceaser who won the 219 Variety Show last year, lyricist & vocalist, T-funk and producer, Azekel. It was partly to show them that whether Flat 17 gets a thumbs up or thumbs down from people, getting it out there can be done by one of us. I believe it has inspired them to also get their music out there too.”

Flat 17 artwork front500

Big respect for that and incidentally, a clear ‘thumbs-up’ for the EP. Now I’ve heard it, I want more! Luckily for all of us, there is more to come. A&TS’s Bohemianmusic Label is currently germinating a ‘beat-trilogy of free downloads’ which will involve external remixers and live renditions of some of their material. There is also more to come from lyricist T-Funk and songstress Shanaz Dorsett. Nice. Maybe not too surprisingly for a self-confessed perfectionist who clearly wants to be in control of his own destiny, Amede, and his partner the Soundsmith also have set their sights on deconstructing the black art of Mastering…and growing beards?!

“The direction I’m heading into is actually more of the technical background of music. I have a love for mixing but mastering is where I really want to take it, I want to wake up early in the morning in my studio mastering and mixing music with my producers beard growing out of control… it’s where the love is at. As an artist, I simply want to be a big part of the evolution of today’s music and to primarily make honest music from the soul, what I may sound like a decade from now is something I’m not sure of but I know I will be knocking sounds out to my grave.”

Word.

Amede likes you people, so much so that he’s given us the ‘Flat 17′ Ep track ‘Vast!’ for free, and asked us to pass it on to you.

Download Vast!

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He also let us in to the very personal space of what inspires him to do what he does right now…

Amede & The Soundsmith’s Top 5 Inspirations:

1. I’ve been listening to a lot of Fela Kuti’s ‘Expensive Shit‘ album, Samiyam’s ‘Moon Shoes‘, Hudson Mohawkes ‘Rising 5‘ and the classic by Tom Scott – ‘Today‘ that track is amazing!

2. Knowing that God has love for me!

3. My Fathers wisdom!

4. I went to watch Soul Power in West London two weeks ago. I found it very inspiring seeing all those great musician vibe with each other. It was pure love recorded in history and I hope I can be watched upon in such a manner one day.

5. My peers! God as allowed me to grow around very inspirational young creatives which I know will leave thier stamp one day and it’s a blessing to be part of that.

So there we have it, young talents with a luminescent future. Amede…..and the Soundsmith.

Links:

Official Website
Myspace
Twitter
Shanaz Dorsett Myspace

News: Get Shook!

Thursday, August 6th, 2009

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Sorry for the break in transmissions. Real life got in the way of my virtual existence….probably a good thing really…balance is key….anyway,now i’m back, I feel it’s my duty to spread the word that the Summer edition of Shook Magazine is ripe and ready for purchase.

With a feature on filmmaker & all-round good guy B+ (whose work appears on the cover above), a chat with Raekwon from the Wu about an album more hotly awaited than the second coming, ghetto-turismo in Morò de Providencia, the oldest favela in Rio, with French artist JR. a freeze frame on UK’s premier ‘house dance’ crew InDaHouse in full effect. an interview with 9th Wonder and his True School crew, Rashad Smith (if you don’t know who that is, check the back of your ‘Woo Hah’ 12-inch or CD-single) a feature on the Eglo crew represent (Floating Points, Alex Nut & the whole 9 yards), the story behind the 1974 concert in Kinshasa when James Brown, Bill Withers and Celia Cruz lined up alongside Miriam Makeba and Franco – it’s the subject of the new Soul Power film, words and mixes from Rahaan & the Chuck Brothers, the crate diggers outta Chi-city, words from Karizma who has a new album out via R2, deep words about Freddie Hubbard, as remembered by Creed Taylor (of CTI and Impulse! fame). a short story by Charlie Dark (‘The God of Road’), memories of French novelist Boris Vian and a revamped back section where they cover anything from Congolese sapeurs to boutique stores in the heart of Hoaxtown you really would be stupid not to at least blag your friends copy….but that kind of situation soon gets strained, we recommend you teleport to www.shook.fm and buy your own….