She’s been lurking (and working) in the shadows for some time now and she’s decided it’s her time to shine. We’re happy! She’s got ridiculously good taste in music, and she pleases herself before making any concessions for you or I….our kind of girl….check for yourselves. This is her first podcast mind so go easy on her. We were all first-timers on the mic once:
Tracklisting
Strong Arm Steady feat Talib Kweli// Get Started Medina Green feat Mos Def// Party Done DTMD// Fantastic Jneiro Jarel// N.A.S.A Olivier Daysoul// The Walls Pollyn// Still Love (Debruit Remix) Will Powers// Adventures in Success (dub) Mulatu Astatake// Esketa Dance Shafiq Husayn// Nirvana Bei Bei and Shawn Lee// Into the wind Robert Glasper// The Robert Glasper Experiment Gill Scott Heron// Me and the Devil P.O.S// Goodbye Atmosphere// Shoulda Known Dabrye feat Doom// Air Janelle Monae feat Big Boi// Tightrope Big Boi// Royal Flush (Clean) Juggaknots// Settle Down Cunninlynguists// Mic Like a Memory Mos Def feat Talib Kweli// History Doom// Ballskin Oddisee feat Tranquil// It’s Over
After an inexcusably long hiatus, the Duke drops some fresh gems on y’all. Detroit House, Hip Hop, Raw Roots music from Africa to the Caribbean? It’s all here:
John Roberts//White Chez-N-Trent//All about You Bookworms//African Rhythms Donaeo//Riot Music (Shy FX Mix) Marcé//Ca Ca Ye (Frankie Francis Edit) Georgia Ann Muldrow//Jina Langu Ni Afrika (my Name Is Afrika) Brittany Bosco//Black Keys Will – I – Am//Money Pal Joey//Breakin’ Necks House Shoes//The Makings Georgia & Dudley//Shine On Dabrye//I’m Missing You Reggie B//Spoken Lenny Flying Lotus//Quakes Jay Electronica//Exhibit A (Transformations) Fatima//Higher Black Joy Edits//Edit 10 Red Earth Collective ft. Manasseh//Hard Times Dub Vincent Taylor//Living A Lie Connie Bell//Vampires Midnite//Enter Nneka//Africans Baloji//Karibou Ye Bintou
Yep, you heard right. The chorus of voices online are all singing in unison. London’s Plastic People is currently the focus of a Police campaign to close it’s famous grey doors permanently. It’s only right I add my voice to the choir of resentment because I, like so many others, have a special place for the club in my heart.
My relationship with the double P begins way before I could even pass for being old enough to step through it’s doors. Walking past it’s original Oxford Street doorway on my regular weekend pilgrimage to Soho’s record emporiums. Even then, the tacky sign and unique flyers (I was a huge flyer fan) was enough to raise mental enquiry. What was it like in there?
I never did find out, but I more than made up for it when owner Ade packed up and went east in 2000. From then til’ now, I’ve seen some of my most respected DJs and bore witness to the best basement sessions, REAL basement sessions, I have ever been to.
This move to stop Plastic’s flow comes as no surprise. I am in touch with the handful of black-owned establishments in Shoreditch and all of them share tales of hard times when it comes to dealing with the powers that be. Not to say that this is merely a question of race however. In these times, those offering an alternate path, those who aren’t in the business for the money, or trying to blind the people with PR and spin pose a threat to the creeping machine of national order. Some of us may feel it more than others, but our presence on Plastic People’s dancefloor is in truth a statement of resistance to the deconstruction and realignment of the entertainment industry in the past two decades. Sounds extreme I know, but look around you next time you’re on a night out and tell me where else you can find Ade et al’s dedication to the things that truly matter.
Police have placed a notice outside the club citing their intention to revoke their license for:
1/ PREVENTION OF PUBLIC NUISANCE
2/ PREVENTION OF CRIME AND DISORDER
Clearly, to anyone that has been to the club, these are both flimsy and to be honest, outright ridiculous claims. Of all the venues in Shoreditch, Plastic People’s clientele are some of the least likely to contribute to either of the above. Surrounded by venues spewing out drunken, drug-addled punters, Plastic is an oasis….the only club in the area where people come for one reason and one reason only: the music. The police claim they have found evidence of cocaine usage in the toilets and DJ booth. Although the latter is hard to believe, show me a club with no drugs in it, Cocaine or otherwise. The PP crowd is one of the least drug heavy, best behaved I’ve seen – and believe me, I’ve been to a lot of clubs.
Anyway, enough ranting. Their doors aren’t closed yet. join the FaceBook group and stay-tuned to find out how you can help stop this from happening. If Plastic goes, where will we have left? House/warehouse parties have already suffered the clampdown and there is not one venue I can think of that has the same quality control as Plastic People. Local authorities have already managed to herd anyone who wants to listen to anything but the commercial dirge into one East-Central postcode, lets not let them go further and extinguish the few flames we have left…
Not afraid to step beyond the borders of Afro-Funk, Yaaba Funk are one of the more interesting shards of the aforementioned afro bomb. If you know Heads High, you should know Yaaba Funk from a heavy NYE basement session we collaborated on in East’ London’s ‘Life‘ venue (word to Kato!). if you don’t yet know Yaaba, you’re in for a treat. Peep the sample stream below, check the video and if you like what you hear, head over to SHOOK to investigate the interview I recently did with them…
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….and the event? Deep South runnings courtesy of Jamie Renton and his Chilli Fried machine…
Blogging is a curious thing…especially when there are major labels/sponsors involved. They make crazy money, invest in something dope, give us a whiff of it & we do the rest…..for free. That’s only one reason why I feel slightly strange blogging about Baloji. The other is that seeing as I don’t speak French, I have only a feint idea of what he’s saying. What I do know though is that the way he says what he says is on point. Don’t hate me but that’s my main criteria for judging MCs & singers anyway….unless they’re really talking shit….
Baloji is a Congolese MC via Belgium. He’s been around for a minute and his flows stick to anything from high speed 70s funk to raw roots traditional drums. He’s been working on the follow up to the acclaimed ‘Hotel Impala‘ LP and sources tell us the fresh ‘Kinshasa Succursale’ project is ripe to drop. As a taster, the Konono No 1 sampling ‘Karibu Ye Bintou’ is currently doing the rounds. Not only is the track tight, but the video is excellent too….thoughts?
We in the West have been bombarded with films, novels and more speculating on (and in some cases shaping) the future condition of our society, but how many times has this forward gaze been allowed to rest on Africa?
Pumzi, written and directed by writer/director Wanuri Kahiu, officially claims the title of Kenya’s first science fiction film. Set in a futuristic African society characterized by a totalitarian government, repressive social control systems and an absence of individual freedoms, the film centres on Asha, a young woman living in one of East Africa’s contained communities 35 years after water wars have ravaged the world, causing incomprehensible ecological devestation. With her discovery that a soil sample sent to her in the mail is capable of germinating new life, the stage is set for her quest to investigate the possibility of new life outside the confines of the community structures – against the wishes of the governing Maitu Council. Kahiu’s short film taps into current Third World realities and walks them forward to terrible, yet entierly possible conclusions.
Funded by Focus Features’ Africa First short film program, the Goethe Institut and the Changamoto arts fund, Pumzi has already screened as part of Sundance’s New African Cinema program. As far as I can ascertain, there is no release date as yet but see below for a taste of East African Dystopia. Think black THX1138 and you’re getting close…..
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