Podcast #15: Duke Etienne

Monday, March 1st, 2010

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After an inexcusably long hiatus, the Duke drops some fresh gems on y’all. Detroit House, Hip Hop, Raw Roots music from Africa to the Caribbean? It’s all here:

Duke Etienne Podcast #15

 

Tracklisting

John Roberts//White
Chez-N-Trent//All about You
Bookworms//African Rhythms
Donaeo//Riot Music (Shy FX Mix)
Marcé//Ca Ca Ye (Frankie Francis Edit)
Georgia Ann Muldrow//Jina Langu Ni Afrika (my Name Is Afrika)
Brittany Bosco//Black Keys
Will – I – Am//Money
Pal Joey//Breakin’ Necks
House Shoes//The Makings
Georgia & Dudley//Shine On
Dabrye//I’m Missing You
Reggie B//Spoken Lenny
Flying Lotus//Quakes
Jay Electronica//Exhibit A (Transformations)
Fatima//Higher
Black Joy Edits//Edit 10
Red Earth Collective ft. Manasseh//Hard Times Dub
Vincent Taylor//Living A Lie
Connie Bell//Vampires
Midnite//Enter
Nneka//Africans
Baloji//Karibou Ye Bintou

Event: South LDN Afro Movements…

Monday, February 22nd, 2010

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If you didn’t already know, London is currently being shaken by a new-wave afro explosion. Dele Sosimi, Afrospot, The Soothsayers, Eric Soul….the list goes on.

Not afraid to step beyond the borders of Afro-Funk, Yaaba Funk are one of the more interesting shards of the aforementioned afro bomb. If you know Heads High, you should know Yaaba Funk from a heavy NYE basement session we collaborated on in East’ London’s ‘Life‘ venue (word to Kato!). if you don’t yet know Yaaba, you’re in for a treat. Peep the sample stream below, check the video and if you like what you hear, head over to SHOOK to investigate the interview I recently did with them…

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….and the event? Deep South runnings courtesy of Jamie Renton and his Chilli Fried machine…

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Connie Bell: Roots & Culture Style…

Tuesday, February 16th, 2010

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Still waters run deep and Connie Bell is no exception. While most of us know her for keeping things together as Heads High’s host and vocalist in chief, not many know that the end of ‘09 saw more than a few late night studio excursions by our favourite Jamaican songstress.

Her cover has officially been blown now as the first of many products of those sessions hits the streets in the form of the awesome ‘Vampires’ on UK Roots imprint ‘Top-A-Top”. Riding a fresh reimagining of a classic Lee Perry rhythm, Ms Bell gets raw on those who choose to take without giving. With a dangerous dub on the flip to seal the deal, it’s all about supporting music of substance in 2010…

Cop the freshness here….And if you missed her first release for the label, here’s what could have been yours…

Sofrito Tropical Soundclash!!!

Monday, February 15th, 2010

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As I opened my front door to a spine-chillingly cold blast of Arctic air this morning I found myself thinking ‘When the rass is this winter going to end?’ Thankfully, the warmth and wellness of an equatorial existence was closer than I’d imagined as my inbox opened and a warm breeze carried news of the next Sofrito Tropical Warehouse bash!

Those that know tend to know about Sofrito’s functions, their heavyweight bills, heavier dubplates and contrastingly light-footed crowds have brought them much attention on these shores and beyond. Add to that a scorching release schedule and a propensity for rooting out excitingly unknown locations for their events and you have all the information required to confirm your attendance at their next session.

March the 6th is a big one, here’s the blurb:

“For our first party of 2010 we are very proud to present an exclusive DJ appearance from QUANTIC alongside many special guests!

Taking control of an amazing new two room warehouse space in the heart of Dalston, we’ll be playing the best in hot and heavy Tropical sounds in a costeño style!

We are bringing together the peerless Family Atlantica (featuring Luzmira Zerpa and Jack Yglesias) and Quantic to present the heaviest Vallenato and cumbia sounds in an exclusive live set that you won’t be able to see anywhere else!  The raw sound of the Caribbean coast, bringing together Afro-Venezualan sounds and the folkore of Colombia.

All this alongside a live set from Afro Latin masters Drymbago, DJ action from Quantic himself and the Sofrito Soundsystem plus some special guests!

Tickets are £10 in advance (plus £1 booking fee)”

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So there you have it. Cheat winter and get your heat on. In the meantime, here’s a mix lovingly sculpted by the soft hand of Sofrito, taking in rhythms from Colombia, Benin, Trinidad, Angola as well as an exclusive track from Quantic’s Sonido del Valle project…

Download Tropical Warehouse Mix

Dig: Etienne Jaumet

Monday, February 1st, 2010

Whilst passing through the Big Chill House for Slipped Disco’s UFO party last Friday, I was lucky enough to experience one of the most psychedelic electronic amalgamation of sounds I’ve heard in a while, delivered in the form of a live set by a French artist/producer, Etienne Jaumet.

Apparently, before his solo release, he was one part of a duo known as Zombie Zombie. To be honest, up until this moment, I was completely unfamiliar with Etienne’s work (although in my defense, this was his UK debut). What I can say however, is that listening to him live brought back memories of early 80’s sci-fi at its most inventive.

The set seemed to pay homage to techno in its original depiction, brought to mind by the famously reported dialogue between Stuart Cosgrove and Derrick May, who once stated that techno is “… like George Clinton and Kraftwerk are stuck in an elevator with only a sequencer to keep them company.” (Cosgrove, 1988)

As Etienne engaged in tweaking knobs and forging kitsch noises out of vintage machinery, his geeky mannerisms were a breath of fresh air in a scene that is increasingly becoming trivialised by trendy iPod DJs. Another thing that was very evident from watching his performance, was his undeniable skill in the manipulation of various synthesizers. Almost instantly we were transported into another realm of deep space exploration through his masterful deployment of cosmic sound effects, indigenous tribal drum patterns, live instrumentation and machine music.

Not always easy on the ear, plenty of experimentation and awkward noise forced us as listeners to work a little harder in order to reap the harvest of his creativity. It was well worth it.

From the set, Monsieur Jaumet definitely inspired me to dig deeper into his work. The results are as follows:

On Versatile Records, he released his first solo album last year, called Night Music bearing five lengthy tracks. Many label the album a techno effort, however like most semi-decent artists, pigeon-holing Night Music into a single genre just doesn’t do it any justice. My take is this, Night Music would be the creative output of techno, electro, cosmic jazz, deep space funk, disco, krautrock, psychedelic and prog rock forming a sonic conglomerate… Or maybe more simply put, what the Dr. Who soundtrack should be. I’m not going to break down each track but as a whole, the vibe of the album is unsettling, and deliberately so. The constant drone of sharp keys and minor chords may not sit well with everyone but if you are comfortable with this, you will surely get a sufficient dosage of instant vintage. Etienne goes all out on effects, from didgeridoos to birds chirping to bleeps and blips, his peculiar production style packages the aesthetic of a Pac-Man arcade into a highly intellectual yet danceable album.

Not only are electronic dimensions explored, real instruments such as the saxophones and other horns are ever-present in a style reminiscent to early Laurent Garnier tracks. We are truly taken back to the future in Night Music and its understandable why Carl Craig would jump on such a talent.

It is also clear that the same passion and effort Etienne put into creating Night Music, goes into his live performances, thus I thoroughly recommend catching him when he’s next on British soil.

Your modern day space odyssey.

Etienne Jaumet Myspace.

Listen: Lola Recommends…

Thursday, January 21st, 2010

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As the world mourns for Haiti’s loss, spirits are low and rightly so. Haiti’s perils have spawned deep emotions amongst the global community. However, it is during these times that we can actually come together to aid our brethren.

Praises to the Internet, never before, have I seen such a proactive reaction to a world crisis such as this. Luckily for us, we can exploit the many new channels that help us, help them. Plus, we can contribute a lot easier via charities, events, merchandise and even non-monetary means all at the click of a button.

Lets stand back, take a look at our lives with a fresh perspective and be grateful for the gift we all have… known as life.

1. Troubles in Paradise – UNKLE

>> End Titles… Stories for Film (Surrender All, 2008)

>>> How thoughtful is this contemporary classical piece? Listening to this track in its progression to a pretty heavy crescendo has never failed to make the hairs on the back of my neck stand up. For your information, Mr Lavelle and his crew are actually trip-hoppy-alternative-rock heros.

2. Wednesday Night Prayer Meeting – Charles Mingus

>> Blues & Roots (Atlantic, 1960)

>>> So big. A big jazz-man with a bigger temper. Big band. Big track. Horns fly over the band, people shout over the instruments, the piano stomps over the percussion which in turn calmly pulls everything together in the final segment. The cacophony of conversations between pianos, percussions and horns is one of the most disorderly I’ve heard yet kudos to how tightly the track is never-the-less choreographed. Despite the intricacy involved in pulling off such a complex arrangement, you get the impression that in performance, very large amounts of fun (+ buckets of sweat) were being had.

3. Me & the Devil – Gil Scott-Heron

>> I’m New Here (XL Recordings, 2010)

>>> Oh my gosh… Moody, late 60s, struggle soul music with hand-claps. A definite goosepimpley rock-influence, post apocalyptic, dark motif involved here. The recurring theme seems to be ‘vultures’ and ‘battles for souls’ so pretty menacing stuff. With a comeback after a trillion years, its nice to hear GSH bringing something fresh to the table. Still, there is an air of nostalgia – that is, in the latter part of the track where he imparts some social commentary via poetry to the listener. Album drops in February.

4. Butterfly – Robert Glasper

>> Double Booked (Blue Note, 2009)

>>> This is the most deceivingly stunning track I’ve heard in a while. Starting with a less generic Kanye-West-cum-Daft-Punk Vocoder intro, the track evolves into a smoother jazzy riff and continues to abruptly morph into other things I can’t articulate. Sounds like a perfectly handcrafted studio accident where the acoustics were fused with the machines to produce a foreign breed of sounds. In a few seconds, its pure avant garde jazz, then its hip-hop and then electronica mixed with Prince-esque, Afrika Bambaataa s**t. Actually, at times, the tempo is almost out of control and then at others, it seems to take a time out and reflect on the effects its had on itself. Genius. Very individual.

5. Fall in Love – Carlos Nino and Miguel Atwood-Ferguson

>> Suite for Ma Dukes (Mochilla, 2009)

>>> You’ve heard it all before, but I just have to say it: “J Dilla changed my life.” Love Carlos Nino but Miguel Atwood-Ferguson is one of those creative’s that make the word diversify seem bland. This classically trained Yankee knows how to unashamedly bring his style to any kinda project. Very soft sounds, think harps, xylophones, glockenspiels, castanets, wind chimes and strings galore… I’m sure you get the gist;-) Rich, light and floaty interpretations of a modern classic. The Timeless DVD shows further development with the project and is even more highly recommended than the album. RIP James Yancey.

6. Les Violons Iveres – Agoria

>> The Green Armchair (Different/PIAS, 2006)

>>> Continuing on the orchestral vibe, only now at 130bpm, this is French electronica at its best. Not attempting to stray from your comfort zone, this track is truly uplifting (if you’re into EDM). The warming strings form the melody with twiddly bleeps to keep up the ravers’ tempo. Simple in construction yet beautiful. Agoria is highly rated in my books. If you’re liking this, obviously there’s Europa but more importantly, catch Wrong Line on the same album: pretty oriental but equally as inspiring.

7. If 6 was 9 – The Jimi Hendrix Experience

>> Axis: Bold as Love (Polydor, 1967)

>>> Need I say more? Your ultimate rebel soundtrack. Maybe a tad intimidating for the average nine-to-five, rat-race types but this track screams ‘FREEDOM!’ and ‘LIFE’ in a groovy electric kinda way. Blare this out and f**king live now!