Event: Highlife in Hackney!

March 17th, 2010 by Etienne

secousse

It’s not often I get impressed with bands. When I read the blurb for AJ Holmes & The Hackney Empire before I saw them for the first time I was ready to be disappointed. A decidedly camp looking white guy with an electro-pop background learns how to play Highlife guitar, fuses it with his pop stylings and sets out to conquer the world with his new brand of electric Highlife…..hmmm, no thanks. When I actually witnessed AJ & the Empire perform, I had to eat my words, my hat and a fat slice of humble pie. The band smashed it, and did so with such unpretentious integrity that barely anyone in the room could avoid becoming a part of the performance. How a motley crew from Hackney can manipulate Palm-Wine Highlife so well is beyond me, but they can.

For those who don’t know, Palm-Wine Highlife is a guitar based music which has it’s origins in the Palm Wine shacks of 1950s Ghana. In the years leading up to the Second World War, Highlife was a term used to describe the upper-class entertainment of Ghana’s more exclusive nightclubs. Characterized by huge ensembles and stiff, european dance-steps, the Highlife scene was not welcoming of the lower strata of Ghanaian society. After the war, the music of the poor man’s Palm Wine bar, synonymous with drunkenness and fusing the blues with local folk tales, tunes and elements of Calypso and Jazz somehow also earned the tag Highlife. This is the Palm-Wine Highlife AJ Holmes has mastered, and ratings to him for pulling it off; the last time I checked, Hackney and Accra didn’t have that much in common….

Anyway, point is, AJ Holmes & The Hackney Empire are headlining this Saturday 20th at Passing Clouds and I honestly (not in a promoterish type way, cos i’m not even promoting it) think they’re well worth checking out. To seal the deal, I’m spinning alongside community soldier KMT and the afrobeat vibrations of Koichi Sakai. We’re all digging deep for our tropical treats….but don’t expect a night of music that was made 50 years ago….nah, it’s about making the old work with the new. AJ’s influences range from Highlife to Grime and he’s resident at West London’s biggest Tropical session Secousse alongside the Radioclit duo. You dun know my style already and i’ve heard KMT cut & paste everything from Soca and Bashment to African Lutes and large slabs of Hip Hop….trust me, it’ll be worth the trip….Flyer below.

PassingClouds_Flyer

Podcast #16: Miss Crawford

March 12th, 2010 by Etienne

mfDoomblog

She’s been lurking (and working) in the shadows for some time now and she’s decided it’s her time to shine. We’re happy! She’s got ridiculously good taste in music, and she pleases herself before making any concessions for you or I….our kind of girl….check for yourselves. This is her first podcast mind so go easy on her. We were all first-timers on the mic once:

 

Tracklisting

Strong Arm Steady feat Talib Kweli// Get Started
Medina Green feat Mos Def// Party Done
DTMD// Fantastic
Jneiro Jarel// N.A.S.A
Olivier Daysoul// The Walls
Pollyn// Still Love (Debruit Remix)
Will Powers// Adventures in Success (dub)
Mulatu Astatake// Esketa Dance
Shafiq Husayn// Nirvana
Bei Bei and Shawn Lee// Into the wind
Robert Glasper// The Robert Glasper Experiment
Gill Scott Heron// Me and the Devil
P.O.S// Goodbye
Atmosphere// Shoulda Known
Dabrye feat Doom// Air
Janelle Monae feat Big Boi// Tightrope
Big Boi// Royal Flush (Clean)
Juggaknots// Settle Down
Cunninlynguists// Mic Like a Memory
Mos Def feat Talib Kweli// History
Doom// Ballskin
Oddisee feat Tranquil// It’s Over

Podcast #15: Duke Etienne

March 1st, 2010 by Etienne

congotronics1

After an inexcusably long hiatus, the Duke drops some fresh gems on y’all. Detroit House, Hip Hop, Raw Roots music from Africa to the Caribbean? It’s all here:

Duke Etienne Podcast #15

 

Tracklisting

John Roberts//White
Chez-N-Trent//All about You
Bookworms//African Rhythms
Donaeo//Riot Music (Shy FX Mix)
Marcé//Ca Ca Ye (Frankie Francis Edit)
Georgia Ann Muldrow//Jina Langu Ni Afrika (my Name Is Afrika)
Brittany Bosco//Black Keys
Will – I – Am//Money
Pal Joey//Breakin’ Necks
House Shoes//The Makings
Georgia & Dudley//Shine On
Dabrye//I’m Missing You
Reggie B//Spoken Lenny
Flying Lotus//Quakes
Jay Electronica//Exhibit A (Transformations)
Fatima//Higher
Black Joy Edits//Edit 10
Red Earth Collective ft. Manasseh//Hard Times Dub
Vincent Taylor//Living A Lie
Connie Bell//Vampires
Midnite//Enter
Nneka//Africans
Baloji//Karibou Ye Bintou

Keep Plastic Alive!!!!!

February 23rd, 2010 by Etienne

uk-0705-58230-front-jpg

Yep, you heard right. The chorus of voices online are all singing in unison. London’s Plastic People is currently the focus of a Police campaign to close it’s famous grey doors permanently. It’s only right I add my voice to the choir of resentment because I, like so many others, have a special place for the club in my heart.

My relationship with the double P begins way before I could even pass for being old enough to step through it’s doors. Walking past it’s original Oxford Street doorway on my regular weekend pilgrimage to Soho’s record emporiums. Even then, the tacky sign and unique flyers (I was a huge flyer fan) was enough to raise mental enquiry. What was it like in there?

I never did find out, but I more than made up for it when owner Ade packed up and went east in 2000. From then til’ now, I’ve seen some of my most respected DJs and bore witness to the best basement sessions, REAL basement sessions, I have ever been to.

This move to stop Plastic’s flow comes as no surprise. I am in touch with the handful of black-owned establishments in Shoreditch and all of them share tales of hard times when it comes to dealing with the powers that be. Not to say that this is merely a question of race however. In these times, those offering an alternate path, those who aren’t in the business for the money, or trying to blind the people with PR and spin pose a threat to the creeping machine of national order. Some of us may feel it more than others, but our presence on Plastic People’s dancefloor is in truth a statement of resistance to the deconstruction and realignment of the entertainment industry in the past two decades. Sounds extreme I know, but look around you next time you’re on a night out and tell me where else you can find Ade et al’s dedication to the things that truly matter.

Police have placed a notice outside the club citing their intention to revoke their license for:

1/ PREVENTION OF PUBLIC NUISANCE
2/ PREVENTION OF CRIME AND DISORDER

Clearly, to anyone that has been to the club, these are both flimsy and to be honest, outright ridiculous claims. Of all the venues in Shoreditch, Plastic People’s clientele are some of the least likely to contribute to either of the above. Surrounded by venues spewing out drunken, drug-addled punters, Plastic is an oasis….the only club in the area where people come for one reason and one reason only: the music. The police claim they have found evidence of cocaine usage in the toilets and DJ booth. Although the latter is hard to believe, show me a club with no drugs in it, Cocaine or otherwise. The PP crowd is one of the least drug heavy, best behaved I’ve seen – and believe me, I’ve been to a lot of clubs.

Anyway, enough ranting. Their doors aren’t closed yet. join the FaceBook group and stay-tuned to find out how you can help stop this from happening. If Plastic goes, where will we have left? House/warehouse parties have already suffered the clampdown and there is not one venue I can think of that has the same quality control as Plastic People. Local authorities have already managed to herd anyone who wants to listen to anything but the commercial dirge into one East-Central postcode, lets not let them go further and extinguish the few flames we have left…

UPDATE: CLICK HERE TO ADD YOUR NAME TO THE SAVE PLASTIC PEOPLE PETITION

Event: South LDN Afro Movements…

February 22nd, 2010 by Etienne

yaabaweb

If you didn’t already know, London is currently being shaken by a new-wave afro explosion. Dele Sosimi, Afrospot, The Soothsayers, Eric Soul….the list goes on.

Not afraid to step beyond the borders of Afro-Funk, Yaaba Funk are one of the more interesting shards of the aforementioned afro bomb. If you know Heads High, you should know Yaaba Funk from a heavy NYE basement session we collaborated on in East’ London’s ‘Life‘ venue (word to Kato!). if you don’t yet know Yaaba, you’re in for a treat. Peep the sample stream below, check the video and if you like what you hear, head over to SHOOK to investigate the interview I recently did with them…

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

….and the event? Deep South runnings courtesy of Jamie Renton and his Chilli Fried machine…

CFYaabaFunkblog

Jazz on the Road

February 17th, 2010 by Lola

This Saturday, Jazz on the Road bring us an ‘Afro Jazz Special’. With a theme such as that, I’m sure you can conjure up some kind of image of the night that awaits you. I’m also sure you realise that this image won’t even come close to the actual live experience.

Featuring live…

UNITED VIBRATIONS
Reppin’ our extended family… UV have built up a reputation for turning pavements into parties. Their music is 12tone. Expect to be infected by their tight sounds, raw flow and dangerously contagious vibes.

AWALE
Awalé is a London based Afro Gypsy Funk musical project with members from Tunisia, France, Cuba and England. Musically, Awalé draws on these influences whilst reflecting the diversity of multicultural London.

awale

… As if this wasn’t enough, just for good measure, there will also be jazz dance performances from Maki & Kola (Jazzcotech Dancers) to keep us tantalized and some heavy sound selections from Tony Nwachukwu (CDR) and Koichi Sakai (Afrobeat Vibration).

Jump on board the train… Freedom awaits you!

Sat 20th February 2010
at The NEW Empowering Church
1a Westgate Street, London E8 3RL
Door opens: 21:00 – 4:00
Entry: £6 before 22:00, £8 thereafter

Facebook Event Page